Periphery, 2021

De Anima, 2022

My memories have never been vivid. When I look at old photos of myself, I am often left astonished. As if I look at a completely different person, in a scene I haven’t seen before. It is a sensation I wish to convey with my work.

Sterre Arentsen

Sem Langendijk

Summer, 2018

Untitled, 2017

Canary Wharf, 2019 

Haven

I realised that time and time again, that I lost the environment I was accustomed to, leaving me displaced, uprooted. It saddened and angered me, and I felt I could maybe, through photography, communicate something about this.

visible in

Still from the On Earth video tour: Drew Nikonowicz

On Earth Video Tour - Drew Nikonowicz

Hinde Haest about Drew Nikonowicz in On Earth

exhibitions

Drew Nikonowicz

Lake Vyrnwy, Wales D1, 2016 (dyptich)

explore more

Matthew Brandt

 in 2004. The artwork is an analogue c-print and is displayed at 61 x 80 cm.

System 8, from the series Kosmos, 2011

is the main business district of Amsterdam, located south of the inner city. Starting in 2001, every year two to four photographers and visual artists received an assignment to capture this area and its rapidly changing environment. The ten works by Jasper Wiedeman that feature in 

 are a documentation of the garden that he created in the middle of the Zuidas.

06.09.2004

 in 2011. Using c-print as the medium, the artwork is displayed at 99 x 129 cm.

 is reminiscent of outer space; it is a familiar picture  of the infinite, of the unknown and total chaos that surrounds us. The photographs in the series 

 by Joris Jansen refuse the reading of the medium of photography as a method to make things visible. His photographs rather make things invisible. Jansen rephotographs the surface of an analogue photograph. By doing so he creates an imaginary universe full of milky ways and swarming planets. This new universe is far removed from the initial photograph and thus only the materiality of the analogue photograph seems to be relevant for the creation of a completely new universe. 

System 8

Foam proudly presents the work of a new generation of artists in the group exhibition 

. The 20 participating photographers address the pressing problems of our times. Together, they explore and extend the boundaries of what photography is today.   

As a diverse group of artists, each of them presents their own visual language. Through their works, they critically look at the world around us. They use the photographic medium to question collective affairs and ongoing issues happening in the world. At the same time, they explore how these issues have an impact on a personal level, moving between a local, historical, symbolic, emotional and bodily perspective. 

This group of artists uses a wide range of photographic genres to tell their stories. With portraiture and documentary photography, digital created images and archival material, the talents create a space for the viewer to sit with situations and current events, to reflect and respond to.   

Complementing the physical experience at Foam, this digital exhibition offers a deeper look at the Talents and their works. What goes on behind the surface? What is the inspiration? What techniques are used? This exhibition combines artistic context with educational perspectives. Read, see, and hear more about the themes and topics and explore, engage, and interact with the works! 

 are: Marwan Bassiouni, Myriam Boulos, Olgaç Bozalp, Laura Chen, Kata Geibl, Lina Geoushy, Marvel Harris, Alexandra Rose Howland, Ange-Frédéric Koffi, Czar Kristoff, Yushi Li, Carla Liesching, Seif Kousmate, Pavo Marinović, Diego Moreno, Donja Nasseri, Ghazaleh Rezaei, Linn Phyllis Seeger, Ritsch Sisters, Donavon Smallwood.

Talent issue of Foam Magazine are supported by the Deutsche Börse Photography Foundation.

The exhibition is made possible by Kleurgamma Fine-Art Photolab and Oschatz Visuelle Medien.

Foam is supported by the VriendenLoterij, Foam Members, De Brauw Blackstone Westbroek, the VandenEnde Foundation and the Gemeente Amsterdam. 

In 2022 Foam receives additional support from the Mondriaan Fund and receives a contribution through the Mondriaan Fund from the Ministerie van OCW.

The Feast Inside, from the series Paintings Dreams and Love

Graphic Foam Talent 2022

How to...

Czar Kristoff

Audio fragment for To Destroy Is To Build

from the series To Destroy is To Build

The momentary monument 'To Destroy Is To Build' is not only a web-to-print project but web-to-print-to-monument-to-publication-to... It leaks and flows like new media, like the flood, like the architecture of future society.

from the series To Destroy Is To Build

Myriam Boulos

Audio fragment for Tell the Trees to Smile by Myriam Boulos

Tell the Trees to Smile

from the series Tell the Trees to Smile

I remember Andrea's tears while we were walking towards his destroyed house that he was seeing for the first time since the explosion.

“All the war memories rushed back...
We
rushed to the corridors to hide which was exactly our moves and practice during the Lebanese civil war when the bombing would start.”

Zeina
worked on a rescue mission with a Chile team for 3 days.
The Chile team thought that someone was stuck under the ruins of a building.
“During these
3 days, the hope of finding someone was controlling us.”

Michel lost
his hearing aid during the explosion.
When he wants to listen to music, he puts the radio against his ear.

On August 4, Walid was at home with me. He was on this same balcony when the explosion happened. (...) (I cried in his room and in his arms every day for a few months after the explosion.)

When I gave her this tiny flower, my grandmother told me “Dis aux arbres de sourire”, which means tell the trees to smile.

Ghazaleh Rezaei

زن٬ زندگی٬ آزادی


Marwan Bassiouni

Audio fragment for New Western Views by Marwan Bassiouni

from the series New Swiss Views

from the series New British Views

from the series New Dutch Views

Kata Geibl

from the series See Daylight

from the series Nothing New Under the Sun

Audio clip for Kata Geibl - There is Nothing New Under The Sun / See Daylight

from the series There Is Nothing New Under the Sun / See Daylight

Donja Nasseri

from the series Woman, who would be King

Audio clip for Donja Nasseri - Woman, who would be King

Alexandra Rose Howland

Audio clip for Alexandra Rose Howland - Leave and Let Us Go

from the series Leave and Let Us Go

Pavo Marinović

Audio clip for Pavo Marinovic - Marble Ass

Marble Ass

from the series Marble Ass

Talent Digital 2022

About the artist

For more information and visual material please contact the Press Office of Foam via pressoffice@foam.org.

Note to editors

more at Foam

Foam 3h: Sem Langendijk Haven

 in 2009. Using c-print as the medium, the artwork is displayed at 60 x 83 cm.

Deborah, from the series Week– End, 2009

Foam is supported by the VriendenLoterij, Foam Members, De Brauw Blackstone Westbroek, the VandenEnde Foundation and the City of Amsterdam.

In 2021 Foam receives additional support from the Mondriaan Fund and Kickstart Cultuurfonds

Deborah

 in 2014. Using inkjet print as the main medium, the artwork is displayed at 120 x 90 cm.

Maldoror #6, 2014

When Jean-Vincent Simonet came across the book 

 (The Songs of Maldoror), he felt hugely attracted to the dark, theatrical and transgressive character. The cutting-edge book praising youth revolt, blasphemy and the victory of dream over reality was published in 1869 by Comte de Lautréamont. Simonet decided to revive the literary enigma. His photographs are based on the atmosphere it evokes: gothic angels provided with dramatic blue photoshopped skies full of stars and dead branches merged into pink and blue shapes that look like hairs. The eclectic style inspired him to shift between analogue and digital, using digital techniques to glitch and merge photographs. This enables the mysterious atmosphere of the book to become tangible in the pictures. That the book was once banned because of its blasphemous character, comes as no surprise.

Maldoror #6

Lilac from the series Flamboya

 series. Using C-print on  as the medium, the artwork is displayed at 80 x 65 cm.

Codex from the series Parasomnia, 2010

more artworks

 shows a young Kenyan man standing in a white shirt with a pink book on his head. He's looking up, but his face is not visible. The photograph is part of the 

 series, which for a large part consists of portraits of young Africans in Zambia, Kenya, and Tanzania. They were often constructed as part of an intuitive collaboration with the subject. Remarkably, it is often impossible to see the subject’s expression: the face and parts of the body tend to be wrapped within a shadow, turning away from the viewer or only display the lower half of the body. This makes it hard to identify with the subject in the photo. The (in)ability to properly register a person’s identity, the limitations preventing the viewer from forming an accurate picture, and the role of photography are recurring themes in Sassen’s work. She plays an intriguing game with perception, undermining our assumptions and stereotypes.

Codex from the series Parasomnia

 series. Using inkjet print on archival paper as the main medium, the artwork is displayed at 100x80 cm.

Lilac shows a loving entanglement, in which two models appear to merge as one with their intertwined limbs. The photograph is part of the 

Though almost half a century has passed since the Franco Dictatorship (1939-1975) ended in Spain, the wounds this period left behind are very much open. Young imagemakers, born after the death of Francisco Franco, address this complicated collective past in their work. In this article, we explore the topic through the work of three contemporary artists. One of them is Bebe Blanco Agterberg, whose work was exhibited in Foam 3H.  

from the series a mal tiempo buena cara

from the series A mal tiempo, buena cara

I was taught that photography is inherent with truth. A picture could be constructed, but it could not lie. When I start learning to take pictures something about this perception changed. (...)  I started to see all
the gaps where manipulation in and around
the image could appear and how this could
effect people’s memories. 

The Spanish flag on a flag pole, torn in half, from the series Nadar y Guardar la Ropa (2010 - ongoing) 

The Spanish flag above a massage center, hung from a balcony together with laundry, from the series Nadar y Guardar la Ropa (2010 - ongoing)

The Spanish flag as a curtain in front of a door window, from the series Nadar y Guardar la Ropa (2010 - ongoing) 

The Spanish flag covering a satellite dish on a brick balcony, from the series Nadar y Guardar la Ropa (2010 - ongoing) 

from the series Todo (2021 - 2022)

Link Room Spain Under Franco

Cover image: Sunil and Sulbha Dhiwar, with Tanmay, Tejasvi, Sourabh, Prachi and Vivek from the Goody family archive, 2002. Image from the series Eat with Great Delight

You are what you eat! Food is not only a basic need, it is deeply intertwined with most aspects of our lives — as individuals and communities. Foam Magazine #63: FOOD! The Nourishing Issue looks at what we are made of, focusing on the ways food drives us apart, brings us together and moves us further — all at the same time.

Image from the series Produtos de Genocídio © Paulo Nazareth, courtesy of the artist

Image from the series Milkteeth and ladybirds © Maisie Cousins, courtesy of the artist

Varkens Innovatie Centrum (VIC) Sterksel, August 2012, 301 Lavatory © Henk Wildschut, courtesy of the artist

Nothing to Lose VII (Bodies of Experience), 1989 © Rotimi Fani-Kayode, courtesy Autograph, London

Image from the series Asia Bistro © Hiên Hoàng, courtesy of the artist

Image from the series Cooking Potato Stories © Ana Núñez Rodríguez, courtesy of the artist

Selecting the cover for Foam Magazine #63: FOOD! Left: the original version of the cover image including poem, as it appears in Foam Magazine #63. Right: 'behind-the-scenes' at Foam Magazine.

Foam Magazine #63: FOOD! The Nourishing Issue, 2023

Introducing Foam Magazine #63 FOOD!

Paintings, Dreams and Love

The 20 artists selected for Foam Magazine's Talent Issue look closely at the world around us, and the one within - without shying away from discomfort or pain.

The Act of Sitting

New Western Views

Le Grand Voyage – Version Courte

Languor

To Destroy Is To Build

Words from Dad

There Is Nothing New Under the Sun/See Daylight

Inner Journey

WAH’A

Maryam, 2020, Leave and Let Us Go

Shame Less A Protest Against Sexual Violence

Home/Leaving One for Another

Good Hope

The Martyrs

0N0E

Malign Influences/The Holy Mountains

Woman, who would be King

Announcing Foam Talent 2022

Together, Foam and Paris Photo present a brand-new season of the podcast series Foam Talks: Talent Edition. This series presents eight talented image-makers from both the fair's Curiosa Sector and Foam Talent 2021. Each of the episodes welcomes two photographers, one of each organisations' talent programme. Brought together by a common theme and approach, the photographers speak about their projects and motivations, as well as the challenges they encounter.

from the series Rasmi

Foam Talks x Paris Photo - Sarker Protick & AnaMary Bilbao

Podcast

Sunny Day Flooding, Hollywood, Florida, 2019

Foam Talks x Paris Photo - Igor Tereshkov & Anastasia Samoylova

Smoke Me, 2019

From the series The Mind is a Voice, the Voice is Blind

Paris Photo x Foam Talks: Talent Edition

This article is published in Foam Magazine #58: Talent.

Foam Talent is supported by the Deutsche Börse Photography Foundation and the VandenEnde Foundation.

 Foam is supported by the VriendenLoterij, Foam Members, De Brauw Blackstone Westbroek, the VandenEnde Foundation and the City of Amsterdam.

In 2021 Foam receives additional support from the Mondriaan Fund and Kickstart Cultuurfonds. 

Image from the series Turunç

Evimde from the series Turunç

From the series Turunç

Turunç Solène Gün

In 2021 Foam receives additional support from the Mondriaan Fund and Kickstart Cultuurfonds.  

Ana Mendieta, Imágen de Yágul (Image from Yagul), 1973, Color photograph, 19 x 12 1/2 inches

One must keep one’s eyes and ears open, one must know how to match up the facts, see similarity where others see total difference, remember that certain events occur at various levels or, to put it another way, many incidents are aspects of the same, single occurrence. And that the world is a great big net, it is a whole, where no single thing exists separately; every scrap of the world, every last tiny piece, is bound up with the rest by a complex Cosmos of correspondences, hard for the ordinary mind to penetrate. That is how it works. Like a Japanese car.

Monuments / Altesch #08, 2018

Image from the series Growing Concerns

Image from the series Monuments

Nature's Limbo

 shows the result of a long-term photographic investigation into the process and effects of gentrification and the social inequality it generates. Foam shows 

 at a time when many city dwellers are looking for affordable housing and when many residents can no longer afford to live in the neighbourhood they were once rooted in.

Foam

Dog, 2018

Untitled, 2015

Tommy, 2018

Sem Langendijk - Haven

The Foam Talent programme and the annual Talent issue of Foam Magazine are supported by The Deutsche Börse Photography Foundation, the VandenEnde Foundation and the Niemeijer Fund.

Foam Talent is made possible by Kleurgamma Fine-Art Photolab, Starframe, Oschatz Visuelle Medien and the Swiss Arts Council Pro Helvetia.

Foam Magazine is sponsored by Igepa Netherlands BV, supplier of excellent paper.

In 2021 Foam receives additional support from the Mondriaan Fund and Kickstart Cultuurfonds.

, with works from a new generation of visual artists.

Image from the series Maggic Cube, 2019

⁠Image from the series Flash Points

Image from the series Charlie Surfs on Lotus Flowers

Image from the series Tatsuniya

Image from the series Escape From Paradise

Image from the series Hola Mi Amol

From the series Hola Mi Amol

Foam Talks

Foam Talent 2020

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Foam presents the unique portraits by American photographer Remsen Wolff in the exhibition&nbsp;Amsterdam Girls.
The exhibition presents more than 50 vintage portraits and contact prints from the analogue archive of the American photographer Remsen Wolff (1940-1998).&nbsp;From 1990 to 1992, Wolff spent one month each year at the American Hotel in Amsterdam to work on the project Special Girls - A Celebration. For this project, Wolff made a series of portraits of transgender people in New York and in Amsterdam.
These unique portraits range from the exuberant and glamorous to the subdued and vulnerable.&nbsp;Together, the photographs show the huge variety in gender fluidity in the 1990s, beyond the spotlight of notorious nightclubs such as Club RoXY and iT.
Wolff encountered people from the transgender community in nightclubs, on the street, through friends and with a call in Gay Krant.&nbsp;The individuals posing for Wolff&rsquo;s camera vary from celebrated figures such as Jet Brandsteder (a.k.a. Francine), Hellun Zelluf and Vera Springveer (regular performers in clubs like RoXY and Mazzo), to anonymous transgender people who experimented and sometimes struggled with their gender identity in daily life.&nbsp;A session often lasted 6 to 8 hours and the models were photographed as they preferred to be portrayed.
<img src="https://a.storyblok.com/f/113697/595x603/1f0828d3b7/joris__amsterdam_24_april_1991__copy_the_remsen_wolff_collection_-_courtesy_of_jochem_brouwer_in_text.jpg" alt="" width="595" height="603" />Joris, Amsterdam 24 april 1991 &copy; The Remsen Wolff Collection - Courtesy of Jochem Brouwer
ABOUT REMSEN WOLFF Wolff never had any formal training as a photographer. The artistic approach is intuitive and thoroughly personal. Wolff experimented and struggled with sexual and gender identity and moved in a community of transgender people, crossdressers and drag kings and queens, whom Wolff photographed extensively from 1990 on.&nbsp;That was the year the project Special Girls - A Celebration started, which would ultimately comprise over 100,000 images.
Wolff died in 1998, a time when the pronouns 'they', &lsquo;them&rsquo; and 'their' were not yet used as non-binary indications of gender identity. We do not know how Wolff would have like to be addressed in 2020. Conversations with models and others who knew the artist indicate that during a 40-year career, the photographer went under the name Remsen Wolff and that the pronouns 'he' and 'him' were used in the immediate surroundings. In the months before Wolff decided to leave this world, the photographer went by the name Vivienne 'Viv' Blum. This shows that Wolff did not unequivocally conform to a given (gender) identity, which the artist considered to be highly fluid.
LOOKING BACK WITH<iframe width="560" height="314" src="//www.youtube-nocookie.com/embed/OUddzEoOHLs" allowfullscreen="allowfullscreen"></iframe>Looking back with Emme, 2020&nbsp;&copy; Foam. Video by Generous Studio.
30 years later, we look back with Sugi and Emme on the photoshoot with photographer Remsen Wolff. Wolff photographed Sugi and Emme in the 1990s at the American Hotel in Amsterdam as part of the series Special Girls - A Celebration.⁠ Discover more about Wolff's ideas about this photo series and way of working by watching the video.
<a href="https://www.youtube.com/playlist?list=PLjn4BFve-ivQ2zzsXFnQIhIzE-jfjASH7" target="_blank" rel="noopener">Click here to watch the video&nbsp;series</a>
All works are on loan from The Remsen Wolff Collection. Courtesy of Jochem Brouwer.
Special thanks to Transgender Netwerk Nederland for their indispensable advice. 
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, Foam Members, Gemeente Amsterdam, Olympus and the VandenEnde Foundation.
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Remsen Wolff – Amsterdam Girls

Foam presents the exhibition Foam Talent 2020, with works from a new generation of visual artists at Kuhlhaus Berlin from 22 October - 1 November.

Each year, Foam invites photographers to submit their portfolios via the <a href="/talent/foam-talent-call">Talent Cal</a>l, an international search for exceptionally talented photographers under the age of 35. Selected photographers gain international exposure and recognition within the photography industry through a number of career-building opportunities offered by Foam, including publication in Foam Magazine, participation in a travelling group exhibition and the opportunity for their work to be added to the prestigious Art Collection Deutsche B&ouml;rse of the Deutsche B&ouml;rse Photography Foundation in Frankfurt.
EXCEPTIONAL PHOTOGRAPHY TALENT This year 19 artists were selected as Foam Talents 2020: A&agrave;desokan (Nigeria), Sofia Borges (Brazil), Adji Dieye (Senegal/Italy), Rahima Gambo (Nigeria), Karla Hiraldo Voleau (France/Dominican Republic), Beno&icirc;t Jeannet (Switzerland), Luther Konadu (Canada/Ghana), Matthew Leifheit (United States), Douglas Mandry (Switzerland), Philip Montgomery (United States), Camillo Pasquarelli (Italy), Simone Sapienza (Italy), Micha Serraf (Zimbabwe/South Africa), Hashem Shakeri (Iran), Gao Shang (China), Kamonlak Sukchai (Thailand), Guanyu Xu (China/United States), Yorgos Yatromanolakis (Greece), Alba Zari (Italy/Thailand).
These exceptional young photographers were selected out of 1.619 received submissions from 69 countries. Their portfolios were published in the internationally distributed Foam Magazine #55: Talent. Subsequently Foam will now present their work in a travelling group exhibition.
<iframe style="border: none; width: 100%; height: 326px;" allowfullscreen="allowfullscreen" allow="fullscreen" src="//e.issuu.com/embed.html?d=41-008_fm55_01_issue_selection__3_&amp;u=foam-magazine"></iframe>
PORTRAIT Although Foam Talent symbolizes a rich range of genres and uses of photography, the edition of Foam Talent 2020 is characterized by (sometimes lengthy) research, in which the role of the portrait is a recurring theme. Where Alba Zari tries to construct a portrait of her unknown biological father through old family photos and computer technology, Luther Konadu's work is a reflection of the photographic portrait itself: through cutting and pasting he investigates the construction of identity.
Adji Dieye responds to economically determined stereotypes and traditional roles by reinventing an African tradition of studio portrait photography. Karla Hiraldo Voleau distorts fact and fiction and undermines the male gaze through selfies and intimate portraits of her Latin lovers. The diverse series and artworks in Foam Talent 2020 show individuals and communities that have long remained invisible or in the margins, exploring who we are and how we see ourselves in a constantly changing reality: between the analogue and the digital, between myths and belief systems, between the private and public and between fact and fiction.
PHOTOGRAPHY IN LIMBO <iframe width="560" height="314" src="//www.youtube-nocookie.com/embed/5fipDZOUgRc?t=899s" allowfullscreen="allowfullscreen"></iframe>
In collaboration with the Deutsche B&ouml;rse Photography Foundation and C/O Berlin, Foam organized an evening full of artist talks and Q&amp;As around the opening of the exhibition Foam Talent | Berlin on 21 October 2020.
<a href="https://www.youtube.com/watch?v=5fipDZOUgRc&amp;t=899s">Click here to watch the full video.</a>
INTERNATIONAL TOUR Foam Talent 2020 will be on show at the following locations:
22 October - 1 November Foam Talent | Berlin K&uuml;hlhausBerlin
18 December 2020 &ndash; 10 March 2021 Foam Talent | Amsterdam Foam Fotografiemuseum Amsterdam
The&nbsp;Foam Talent&nbsp;programme and the annual&nbsp;Talent&nbsp;issue of Foam Magazine are supported by The Deutsche B&ouml;rse Photography Foundation,&nbsp;the VandenEnde Foundation and&nbsp;the Niemeijer Fund.
Foam Talent is made possible by Kleurgamma Fine-Art Photolab,&nbsp;Starframe, Oschatz Visuelle Medien&nbsp;and the Swiss Arts Council Pro Helvetia.
Foam Talent Berlin is supported by Outset Germany_Switzerland.
<div>Foam Magazine is sponsored by Igepa Netherlands BV, supplier of excellent paper.</div>
<div>&nbsp;</div>
<div>Media partner: DAZED</div>
<div>&nbsp;</div>
<div>Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Foam Members and Olympus.</div>

<div class="sidebar__content">Exhibition info 
22 October - 1 November 2020
&nbsp;
LOCATION K&uuml;hlhausBerlin Luckenwalder Str. 3 10963 Berlin Germany</div>

Foam Talent | Berlin

What was it like to be an artist in Paris in the 1930s? How did Brassa&iuml; take his photos? How was his work perceived at a time when photography was only just emerging as an art form? On Thursday 14 November, Foam organises an evening about the life and work of Brassa&iuml;. 

Experts will weigh in on the oeuvre of&nbsp;Brassa&iuml; as one&nbsp;of the key figures of 20th-century photography. Maurice Rummens, curator and researcher, will give listeners a glimpse into the artistic circles in which Brassa&iuml; moved. Another expert,&nbsp;Wim Dingemans (<a href="https://www.silverhands.nl">Silver-Hands Atelier</a>), a specialist in analogue photography, will discuss how Brassa&iuml; worked from a technical standpoint. Did you know that his photos were heavily dependent on street lighting and required slow shutter speeds of often 5 minutes or more? Or that the famous series Paris by Night&nbsp;was made with a Voigtl&auml;nder Bergheil using glass plates of 6.5 &times; 9 cm? Finally, Foam curator Mirjam Kooiman will talk about the evolution of the photographic medium during Brassa&iuml;'s lifetime.&nbsp;
ABOUT BRASSA&Iuml; Gyula Hal&aacute;sz, Brassa&iuml;'s original name, was born in 1899 in Brass&oacute;, Transylvania (then part of the Austro-Hungarian empire, nowadays Brasov, Romania). He studied at the University of Arts in Berlin before finally settling in Paris in 1924, a city that was to become the main subject of his work. He started as a painter but soon discovered that his strongest and most original talent lay in photography. Brassa&iuml;&rsquo;s work of the 1930s would become a cornerstone of a new tradition as photography was discovered as a medium with aesthetic potential.
Brassa&iuml; is organised by Fundaci&oacute;n MAPFRE in collaboration with Foam.
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Foam Members, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">Event info 
Thursday 14 November 2019 19.30 - 20.30 hrs
&nbsp;
PRICE &euro;7,00* regular rate &euro;5,00 <a href="/about/memberships">members</a> *including&nbsp;<a href="/museum/visitor-information">museum admission</a> 
 LANGUAGE Dutch</div>

Brassaï by night

Exclusively for Club Foam, Foam Family and Foam Fan+ members, Foam organises photography workshops in November based on the exhibition Brassa&iuml;.

<div class="sidebar__content">WORKSHOP INFO 
Sunday 10 November 2019 14.00 - 17.00 hrs Saturday 16 November 2019 10.00 - 13.00 hrs This event is sold-out.
&nbsp;
PRICE&nbsp; Free for&nbsp;<a href="/about/memberships">Club Foam</a>, <a href="/about/memberships">Foam Family</a> &amp; <a href="/about/memberships">Fan+</a>&nbsp;members &euro;50 guests LANGUAGE Dutch</div>

analog

06.09.2004

System 8, from the series Kosmos

Talent Digital 2022

Foam 3h: Sem Langendijk Haven

Deborah from the series Week – End

Maldoror #6, 2014

Codex from the series Parasomnia

Lilac from the series Flamboya

Hinde Haest talks about

Drew Nikonowicz in the exhibition On Earth

Link room
Spain under Franco

Introducing Foam Magazine #63: FOOD! The Nourishing Issue

Announcing the new Foam Talents

Paris Photo x Foam Talks: Talent Edition

Bittersweet Fruit: Turunç - Solène Gün

Nature's Limbo

Foam 3h: Sem Langendijk
Haven

Foam Talent 2020

Remsen Wolff – Amsterdam Girls

Foam Talent | Berlin

Brassaï by night

Club Foam, Foam Family & Fan+ workshop Brassaï

analog

06.09.2004

System 8, from the series Kosmos

Talent Digital 2022

Foam 3h: Sem Langendijk Haven

Deborah from the series Week – End

Maldoror #6, 2014

Codex from the series Parasomnia

Lilac from the series Flamboya

Hinde Haest talks about

Drew Nikonowicz in the exhibition On Earth

Link roomSpain under Franco

Introducing Foam Magazine #63: FOOD! The Nourishing Issue

Announcing the new Foam Talents

Paris Photo x Foam Talks: Talent Edition

Bittersweet Fruit: Turunç - Solène Gün

Nature's Limbo

Foam 3h: Sem LangendijkHaven

Foam Talent 2020

Remsen Wolff – Amsterdam Girls

Foam Talent | Berlin

Brassaï by night

Club Foam, Foam Family & Fan+ workshop Brassaï

Link room
Spain under Franco

Foam 3h: Sem Langendijk
Haven