Still from the On Earth video tour: Mark Dorf

On Earth Video Tour - Mark Dorf

Still from the On Earth tour: Lucas Foglia

On Earth Video Tour - Lucas Foglia

Still from the On Earth video tour: Drew Nikonowicz

On Earth Video Tour - Drew Nikonowicz

Still from the On Earth Tour: Mishka Henner

On Earth Video Tour - Mishka Henner

On Earth Video Tour - Introduction

Do you want to learn more about the work of photographer Alec Soth? Join curator Hinde Haest in our online video tour as she takes you through the current exhibition I Know How Furiously Your Heart Is Beating.

-&gt;&nbsp;<a href="/book-a-visit/public/curator-video-tour-alec-soth-i-know-how-furiously-your-heart-is-beating/04-11-2020">Sign up by making a small donation</a> and receive the link to the online tour directly in your inbox.
The exhibition <a href="/museum/programme/alec-soth-i-know-how-furiously-your-heart-is-beating">I Know How Furiously Your Heart Is Beating</a> by Alec Soth&nbsp;consists of portraits of remarkable people in their habitat and still-lifes of their personal belongings. Join curator Hinde Haest in an online tour of the exhibition as she zooms in on the featured works and gives insight into Soth's new way of working and the inspirations behind this intimate and introspective photography series.
<img src="https://a.storyblok.com/f/113697/595x744/bf8727fa29/olga__berlin__2018_c_alec_soth__magnum_photos.jpg" alt="" />Olga, Berlin, 2018&nbsp;&copy; Alec Soth / Magnum Photos.
ABOUT THE EXHIBITION The most recent project of photographer Alec Soth,&nbsp;<a href="/museum/programme/alec-soth-i-know-how-furiously-your-heart-is-beating">I Know How Furiously Your Heart Is Beating</a>, is the result of this personal search, and marks a departure from Soth&rsquo;s earlier work. The photographer slowed down his work process and turned the lens inward. Foam presents the first museum exhibition of his new series, consisting of portraits of remarkable people in their habitat, and still-lifes of their personal belongings.
The exhibited works are on loan from Loock Gallery in Berlin and private lenders.
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Foam Members, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">SIGN UP 
Sign up by making a small donation and receive the link to the online tour directly in your inbox. 
PRICE Donation of &euro;2,50 (free for members) 
COME AND SEE <a href="/museum/programme/alec-soth-i-know-how-furiously-your-heart-is-beating">I Know How Furiously Your Heart Is Beating</a> is on show until 6 December at Foam.</div>

Curator Video Tour:  Alec Soth - I Know How Furiously Your Heart Is Beating

Still from Northern Winds with Jonathas de Andrade - Ammodo Docs

With my art projects, I approach people that historically experience oppression in many different ways. But still, their culture, their tradition, their way of keeping knowledge alive: they represent resistance in many ways.,

Still from the documentary Northern Winds with Jonathas de Andrade

Northern Winds: Artist Jonathas de Andrade’ Fascination with Jangadeiros | Ammodo Docs

watch the documentary

see more

Northern Winds: Jonathas de Andrade’ Fascination with Jangadeiros

Aby Fulani

"Every age has its great loss – for modernism, it was the coherence of the self; for postmodernism, the stability of master narratives – and now, in the 21st century, there is an increasing pressure on the notion of a shared reality."

Mugshots.com, N8, from the series Obscurity, 2016

Mugshots.com, N, from the series Obscurity, 2016

Mugshots.com, N2, from the series Obscurity, 2016

”There is a new way of understanding our times.. a new wave of realism, a new wave of artists who are engaged in political issues. “Evidential Realism” is the realism of today… “

Liz Johnson Artur - of life of love of sex of movement of hope, 2021

Paolo Cirio: Artist of the Post-Panopticon Era

Mooncake, Foam Café, Amsterdam

Spread from Chinees-Indisch Stickeralbum

Cahier for Benjamin Li's In Search of Perfect Orange - Chinese Version

Chinese version

In Search of Perfect Orange. About the work of Benjamin Li

See, through you, from the filmstrip series 36 Serendipities, 2021

Untitled, 2023

There are fairies by the lake, from the filmstrip series 36 Serendipities, 2021

Portrait with goats from the series Motherlands – three faithful things, 2021

Young Human. An interview with ShuShu Sieberns

A still from Wild Encounters, 2023

"At a certain point I lost track of you. 
They make a desolation and call it peace. 
when you left even the stones were buried: 
the defenceless would have no weapons." 

"When the ibex rubs itself against the rocks, 
who collects its fallen fleece from the slopes? 
O Weaver whose seems perfectly vanished, 
who weighs the hairs on the jeweller’s balance?"

"If only somehow you could have been mine, 
what would not have been possible in the world?" 

‘In the lake the arms of temples and mosques are locked in each other’s reflections.  
Have you soaked saffron to pour on them when they are found like this  
centuries later in this country  
I have stitched to your shadow?’ 

How to Love a Tree: Wild Encounter. About the work of Hira Nabi

Gigapedia: Haatsymboliek en Online Codetaal

Bereitschaft, 2024

Gigapedia: Exhibition Glossary. About the work of Jakob Ganslmeier and Ana Zibelnik

Mario Klingemann, The Butcher’s Son, 2017, Giclee printon paper, 80x57cm

Helena Sarin, AI Candy Store, 2018, Fine art print on paper, 20x20cm

David Young, (b38, 4016,16) from Learning Nature series, 2018, Fine art print on paper, 30x30 cm

Harold Cohen, Arnolfini Series, 1983, Plotter drawing, 60x80cm

Obvious, Portrait of Edmond de Belamy, 2018, Inkjet print on canvas, 70x70cm

Roope Rainisto, Emergent Culture from Excessize series, 2022

Spread from Morehshin Allahyari's portfolio in Foam Magazine #66

Foam
Magazine
#66 Missing 
Mirror


our annual print edition

From Innovation to Art: The History of AI Images

Page 144-145 in Foam Magazine #64: EXTREMES.

Page 138-139 in Foam Magazine #64: EXTREMES

Page 142-143 in Foam Magazine #64: EXTREMES

Presenting Foam Magazine #64: EXTREMES—The Environmental Issue

Time to change perspective.

Foam Magazine #64 Extremes - The Environmental Issue Cover: Abundance, 2023

On Transience – The Ebb & The Flow

From the Archive:  Establishing Eden by Persijn Broersen & Margit Lukács

Hajar Benjida – Atlanta Made Us Famous 

, the first solo exhibition by artist Jasmijn Vermeeren. From a deeply personal perspective, Vermeeren sheds light on living with an invisible disability. In conversations about diversity and inclusion within society, the position of people with hidden mental and/or physical disabilities often remains underexposed. 

 offers an intimate experience, inviting visitors to step into the everyday reality of those for whom this life is the norm.

Through photography, video, and sculptural work, Vermeeren reflects on her own encounters with chronic pain and societal assumptions surrounding health and identity. Idenitifying as 

: a term encompassing various forms of disability, including physical, mental, sensory and learning differences, Vermeeren challenges conventional ideas of functionality and normality. 

 invites viewers into her world,  creating a space where emotions are welcomed and reflection is invited. In doing so, she prompts a rediscovery of what it truly means to be

You Don't Look Sick, Self-Portrait No. 5, 2025

Foam

Jasmijn Vermeeren - You Don't Look Sick

From the series What's Ours © Myriam Boulos

From the series Revolution © Myriam Boulos

From the series Tell The Trees To Smile © Myriam Boulos

From the series Sexual Fantasies © Myriam Boulos

From the series Ongoing War © Myriam Boulos

From the series Post Explosion © Myriam Boulos

Foam Talent now: Myriam Boulous

Marina Abramović photographed by Kwabena Appiah-nti, 2024

Test of Time: Marina Abramovich and Katy Hundertmark

Foam Fotografiemuseum Amsterdam, 2023

watch the video

Celebrating 25 Years of Foam

Address

Contact us

Our historic
location

We only accept payments by card in the museum.

Free for Foam Members

Adult

Student

Students under 18 / CJP

Children up to 12 y/o

Museumkaart

Holders of various access passes

Group visit

Ticket prices

Schools

Discover our selection of photography books, magazines, posters, and postcards that relate to our exhibitions and beyond.

Foam Bookshop

Foam Editions Workshop Buying photography, 2023

Our in-house and online gallery supports a range of artists. From renowned photographers to newly discovered talent, there's a collection of special edition prints and photobooks for exclusive prices.

Foam Editions gallery

Foam Cafe, 2023

Relax after your visit and have a coffee and cake in Foam's beautiful historic canalside building.

Foam Café

Opening MAQAM

MAQAM is a creative space for local residents, talent and creatives in the heart of Kolenkit, Amsterdam.

MAQAM

group visit & private tours

private hire and events

school programmes

for kids

about us

Continue
your visit

Visit

Foam objectives (as described in our articles of association)

Artist fees

Remuneration policy

Abridged versions of past annual activity and policy plans

Balance sheet of 2024: the current state of income and expenses

ANBI publication requirement 2024

about Foam

team & organisation

jobs

press office

explore more

Objectives & articles of association

 is the well-known Photoshop selection tool of the same name. For Xin Li, the tool is much more than a handy feature to edit images. It becomes a means to draw parallels with societal control and censorship during the COVID lockdowns in China.  

The magic wand tool selects areas of images based on colour and hue—allowing smart selection and quick manipulation of images. Enforced with machine learning, it nowadays easily predicts which objects a user would like to see selected. Xin Li uses the tool to distort images, obscuring their original meaning behind layers of other images, often of other artworks.  

For Xin Li, this process symbolises the mechanisms of hiding and revealing facts and fake news, regulating the flow of information and controlling the dominant narrative. Metaphorically captured in the overwhelming fusion of shapes and colours, the visually explosive works tempt the viewer to look what lies beneath the apparent chaos. 

Xin Li

Stuck at home during the COVID-19 lockdown, Shwe Wutt Hmon was unable to visit the hospital for her regular check-ups and scans, necessary because of a life-long health issue. Coming to terms with this limitation, she started scanning her body, as well as flowers and medical records, by herself with an ordinary at-home scanner, creating a variety of abstract self-portraits. 

 that emerged from these experiments, reveal a poetic and symbolic documentation of the ongoing assault of medical procedures and operations on her body. Hmon’s image-making practice strongly ties together process and concept: the withering flowers symbolise the decay of the body and dark colours reflect somber emotions experienced right before scheduled operations.  

Another dimension was added when she moved from Myanmar to Thailand in 2022. Printing her work on local Saa paper, the works received an almost skin-like texture. Again, restrictions–this time due to the delicate paper type–required her to improvise, causing her to print the works small scale at home. The final accumulated process turned out to present a healing capacity: by carefully printing, cutting and sewing her works together, Shwe ultimately was also mending herself.

From the series I Do Miss Hospital Visit

Shwe Wutt Hmon

From the series (Inter)Faces of Predictions

, Sheung Yiu looks into different practices of face reading, facial prediction and facial recognition. For this multi-medial series, consisting of a video essay, a series of self-portraits and an extensive research notebook of visual references, he submitted his own face as a test case: scanning, screening and analysing his features in order to understand the processes behind it. 

In his practice, Sheung Yiu combines East-Asian traditions of facial readings, promising to predict one's future based on facial features, with contemporary facial recognition technologies, drawing a striking parallel between Eastern and Western practices around facial studies.  

On a deeper level, the project questions the way different technologies, whether digital or analogue, algorithmic or esoteric, shape the perceptions and biases connected to our faces. Through this, he recognises that a face is never just a face: it is what we, or the systems we use, want to read into it. 

Animation

Notebook scan, from the series Interfaces of Prediction

Facial landmarks (2023), from the series Interfaces of Predictions

Twisted Face (2023), from the series Interfaces of Predictions

Fortune in My Thirties from the series Interfaces of Predictions, 2023

Faceless (2023), from the series Interfaces of Predictions

Scan (2023), from the series Interfaces of Predictions

Between Two Charts (2023), from the series Interfaces of Predictions

Old and new moles (2023), from the series Interfaces of Predictions

Face Mesh (2023), from the series Interfaces of Predictions

Ancient Prediction (2023), from the series Interfaces of Predictions

Sheung Yiu

In search for a sense of belonging, Rehab Eldalil traced back her family roots to the Bedouin community of South Sinai, Egypt. This confirmed a spiritual connection she long felt towards the region and sent her on a ten-year long collaboration with the locals of St. Catherine, guiding herself through the lands of her ancestors. 

The Longing of the Stranger Whose Path Has Been Broken (

شوق الغريب للي تقطّع سبيله)

 Rehab closely participates with community members during this longstanding encounter, weaving together photographs with sound, video, and local Bedouin traditions of poetry, embroidery and plant medicines in a truly collaborative effort. 

The works emphasise the strong connection of the close-knit Bedouin community to their land, as its protective keeper. At the same time, the project reveals the hardships and constant struggle against displacement, violence, and governmental power, to which the community continues to be subjected. Recent plans for urban developments in the region stress the urgency of the project, becoming a testament of and protest to protect the natural state of the lands and its indigenous keepers. 

Video

Hinde Haest talks about

Mark Dorf in the exhibition On Earth

Hinde Haest talks about

Lucas Foglia in the exhibition On Earth

Hinde Haest talks about

Drew Nikonowicz in the exhibition On Earth

Hinde Haest talks about

Mishka Henner in the exhibition On Earth

Hinde Haest gives us

an introduction to On Earth

Curator Video Tour: Alec Soth - I Know How Furiously Your Heart Is Beating

Northern Winds: Jonathas de Andrade’s Fascination with Jangadeiros

Paolo Cirio
Artist of the Post-Panopticon Era

In Search of Perfect Orange
About the work of Benjamin Li

Young Human
An interview with ShuShu Sieberns

How to Love a Tree: Wild Encounters
About the work of Hira Nabi

Gigapedia: Hate Symbols and Online Codes
Exhibition Glossary

From Innovation to Art:
The History of AI images

On Transience – Theme Text Foam Magazine #64: EXTREMES–The Environmental Issue

Establishing Eden by Persijn Broersen & Margit Lukács

Jasmijn Vermeeren
You Don't Look Sick

Myriam Boulos: Foam Paul Huf Award Winner 2025

In Conversation with Marina Abramović

Celebrating 25 Years of Foam

Visit

Objectives & articles of association

Xin Li

Shwe Wutt Hmon

Sheung Yiu

Rehab Eldalil

Video

Hinde Haest talks about

Mark Dorf in the exhibition On Earth

Hinde Haest talks about

Lucas Foglia in the exhibition On Earth

Hinde Haest talks about

Drew Nikonowicz in the exhibition On Earth

Hinde Haest talks about

Mishka Henner in the exhibition On Earth

Hinde Haest gives us

an introduction to On Earth

Curator Video Tour: Alec Soth - I Know How Furiously Your Heart Is Beating

Northern Winds: Jonathas de Andrade’s Fascination with Jangadeiros

Paolo CirioArtist of the Post-Panopticon Era

In Search of Perfect OrangeAbout the work of Benjamin Li

Young HumanAn interview with ShuShu Sieberns

How to Love a Tree: Wild EncountersAbout the work of Hira Nabi

Gigapedia: Hate Symbols and Online CodesExhibition Glossary

From Innovation to Art: The History of AI images

On Transience – Theme Text Foam Magazine #64: EXTREMES–The Environmental Issue

Establishing Eden by Persijn Broersen & Margit Lukács

Jasmijn Vermeeren You Don't Look Sick

Myriam Boulos: Foam Paul Huf Award Winner 2025

In Conversation with Marina Abramović

Celebrating 25 Years of Foam

Visit

Objectives & articles of association

Xin Li

Shwe Wutt Hmon

Sheung Yiu

Rehab Eldalil

Paolo Cirio
Artist of the Post-Panopticon Era

In Search of Perfect Orange
About the work of Benjamin Li

Young Human
An interview with ShuShu Sieberns

How to Love a Tree: Wild Encounters
About the work of Hira Nabi

Gigapedia: Hate Symbols and Online Codes
Exhibition Glossary

From Innovation to Art:
The History of AI images

Jasmijn Vermeeren
You Don't Look Sick