Rayane Jemaa
Is This The Middle East?

June 11, 2026by Isabel Walter

Call of Duty 4: Modern Warfare was released in 2007, at the height of the Iraq war. Praised for its immersion and intensity, the game was released to international acclaim and sold more than 15 million copies worldwide. Previous iterations of the series were set in World War II, but this version was the first to be set in contemporary times, loosely based on a contemporary war. Video games which are set in the middle east have proliferated over the last two decades–with the term ‘middle east’ often used more as a vague, catch-all descriptor, rather than a precursor to a specific location. 

© Rayane Jemaa

Rayane Jemaa’s research project Is This the Middle East? takes these games as its source material. Jemaa captures and categorises various objects from the games such as cars, statues, minarets and rugs, building an archive of middle eastern culture, as portrayed through (western) video games. Using an unconventional photogrammetry technique, Jemaa takes hundreds of screenshots in-game, in order to extract and re-build the objects in 3D. The objects begin to tell a story, of how the Middle East is perceived in the west, of the narratives and plots which are built around the region and, through collecting these objects, Jemaa questions the Western appetite to consume a traumatic vision of the region.  

© Rayane Jemaa
© Rayane Jemaa
© Rayane Jemaa

Most of the objects in Jemaa’s archive have the janky outlines of early computer graphics, the edges are rough but the surface lacks detail and is distorted. The middle east in these games lacks the richness and nuance of the original.  

This text is published in Foam Magazine #68: Talent, in June 2026. Read more about the Foam Talent Runners-up.

About the artist

RAYANE JEMAA is a British-Tunisian artist, visual researcher and designer. His work investigates how computational tools such as game engines, 3D scanners, and satellite imagery produce and circulate images of place, and whose cultures get flattened or distorted in that process. Through post-photographic practices, installation, and print, he makes visible the politics embedded in seemingly neutral digital systems. He graduated from ECAL (École cantonale d’art de Lausanne) in 2021 and has since shown his work internationally at institutions including Fotocolectania (Barcelona) and Musée d’Art de Pully. He was a finalist at the 2022 Swiss Design Awards for his project Is This the Middle East?

About the author

ISABEL WALTER is a writer and curator based in Amsterdam. She currently works as Assistant Curator at Foam, and Editorial Assistant at Foam Magazine. She is particularly interested in art which expands the technical and conceptual boundaries of photography, moving image and new technologies.

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Image credit: Is This The Middle East? by Rayane Jemaa


Rayane Jemaa - Is This The Middle East? Released in 2007 during the Iraq war, Call of Duty 4: Modern Warfare brought contemporary conflict i [...]
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