Foam Talent: Farren van Wyk

Foam Talent: Nazanin Hafez

Foam Talent: Paola Jiménez Quispe

Foam Talent: Sara De Brito Faustino

Foam Talent: Sean Cham

Foam Talent: Chen Yiding

Foam Talent: Ramona Jingru Wang

Foam Talent: Nad E Ali

Foam Talent: Liubov Durakova

Foam Talent: Daniel Mebarek

Foam Talent: Adam Rouhana 

Lies, scandal and pseudo-mining - who and how tried to disrupt the school holidays.?

Lukashenko “I want to protect what we have created with our own hands over the past 25 years.”?

BSUIR The educational process has begun at the university, the students are attending classes.?

A fight over a “pot” between a flautist and a kitchen maid

Foam Talent: Sasha Velichko

Foam Talent Runner-up: Fatemeh Rezaei 

Foam Talent Runner-up:  Rayane Jemaa

Image from the series Sonechko, Yak Ty? (Sunshine, How Are You?)

Foam Talent Runner-up:  Varvara Uhlik 

Aby Fulani

"Every age has its great loss – for modernism, it was the coherence of the self; for postmodernism, the stability of master narratives – and now, in the 21st century, there is an increasing pressure on the notion of a shared reality."

Mugshots.com, N8, from the series Obscurity, 2016

Mugshots.com, N, from the series Obscurity, 2016

Mugshots.com, N2, from the series Obscurity, 2016

”There is a new way of understanding our times.. a new wave of realism, a new wave of artists who are engaged in political issues. “Evidential Realism” is the realism of today… “

Liz Johnson Artur - of life of love of sex of movement of hope, 2021

Paolo Cirio: Artist of the Post-Panopticon Era

Mooncake, Foam Café, Amsterdam

Spread from Chinees-Indisch Stickeralbum

Cahier for Benjamin Li's In Search of Perfect Orange - Chinese Version

Chinese version

In Search of Perfect Orange. About the work of Benjamin Li

Book Club Gift Guide

Dialect, 2020-2023

Dialect, 2023, Courtesy of LooseJoints

Installation view of Dialect

learn more

Ask The Artist: Felipe Romero Beltrán

A still from Wild Encounters, 2023

"At a certain point I lost track of you. 
They make a desolation and call it peace. 
when you left even the stones were buried: 
the defenceless would have no weapons." 

"When the ibex rubs itself against the rocks, 
who collects its fallen fleece from the slopes? 
O Weaver whose seems perfectly vanished, 
who weighs the hairs on the jeweller’s balance?"

"If only somehow you could have been mine, 
what would not have been possible in the world?" 

‘In the lake the arms of temples and mosques are locked in each other’s reflections.  
Have you soaked saffron to pour on them when they are found like this  
centuries later in this country  
I have stitched to your shadow?’ 

How to Love a Tree: Wild Encounter. About the work of Hira Nabi

Lisetta Carmi

Hailun Ma

Julia Kochetova - War is Personal

Event Template

Myriam Boulos 

Keerthana Kunnath

Nadav Kander

Foam pays tribute to the legacy of British photographer 

. Bringing together a selection of his most iconic works, the exhibition celebrates Parr’s unmistakable way of seeing, witty societal observations and enduring fascination with the role of photography in everyday life. 

Benidorm Spain 1997 From Common Sense series 1995-1999

Foam

Benidorm Spain 1997 From Autoportrait series

Sand Bay England 1997 From Common Sense series 1995-1999

Bangkok Thailand 1998 From Common Sense series 1995-1999

Martin Parr

Mario Klingemann, The Butcher’s Son, 2017, Giclee printon paper, 80x57cm

Helena Sarin, AI Candy Store, 2018, Fine art print on paper, 20x20cm

David Young, (b38, 4016,16) from Learning Nature series, 2018, Fine art print on paper, 30x30 cm

Harold Cohen, Arnolfini Series, 1983, Plotter drawing, 60x80cm

Obvious, Portrait of Edmond de Belamy, 2018, Inkjet print on canvas, 70x70cm

Roope Rainisto, Emergent Culture from Excessize series, 2022

Spread from Morehshin Allahyari's portfolio in Foam Magazine #66

Foam
Magazine
#66 Missing 
Mirror


our annual print edition

From Innovation to Art: The History of AI Images

From the Archive:  Establishing Eden by Persijn Broersen & Margit Lukács

Installation shot Mid-Air, Blommers & Schumm

Mid-Air t-shirts by Blommers & Schumm in Foam shop

Studio Visit: Blommers and Schumm

Foam is undertaking a sustainability renovation to prepare its historic building on the Keizersgracht for the future. From 2 March to 8 October 2026, the museum will carry out a phased renovation to improve the building’s sustainability standards. Throughout the works, the museum will stay open and will showcase a limited number of exhibitions.

Visitors may notice signs of work during their visit, such as noise or temporary changes to visitor routes. We aim to keep any inconvenience to a minimum. Foam remains open almost the entire time, with a temporary closure from 27 August to 17 September 2026. We reopen on Thursday evening, 17 September, with the festive opening of three new exhibitions.

Foam Fotografiemuseum Amsterdam, 2023

Trappenhuis

Sustainability Upgrades at Foam

A Parliament of Empty Gestures, 2025

Kiss Exam, 2015 ©

On Our Radar: A Parliament of Empty Gestures by Mark Duffy

Wala’adin Abdurahaman, 22, photographed at a military hospital in Khartoum. Courtesy of Faiz Abubakr

Test of Time: On My Mind — Ahmed Umar

Foam objectives (as described in our articles of association)

Artist fees

Remuneration policy

Abridged versions of past annual activity and policy plans

Balance sheet of 2024: the current state of income and expenses

ANBI publication requirement 2024

about Foam

team & organisation

jobs

press office

explore more

Objectives & articles of association

Verena Blok - Love Shit 

Hajar Benjida - Atlanta Made Us Famous

Jasmijn Vermeeren - You Don't Look Sick

Martin Parr - Very Modern and Rather Ugly

Foam Talent 2026

Nadav Kander - The Edge Of Things

For information and visual material please check www.foam.org/press or contact the press office of Foam on +31 (0)20 5516500 / pressoffice@foam.org

Note to editors

see more

Hiền Hoàng - Garden of Entanglement

The West Desert, located on the western shore of the Great Salt Lake in Utah (USA), is the ancestral home of the indigenous Goshute people. Though officially public lands, managed by the Bureau of Land Management, this area is largely used for various privatised or military purposes, ranging from mining operations, testing grounds for weapons and improvised gun ranges.  

, Jaclyn Wright visited these cluttered sites, full of discarded targets and shattered clay pigeons. The bullet-holed remains, which she collected, photographed and filmed, are pieced together into performative installations, that reflect on the colonisation of ancient lands by bureaucratic systems.  

By inserting herself into the scene, wearing a skintight bodysuit made out of orange clay pigeons, Wright comments on the hyper-masculine culture of land dominance and cowboy fantasies. The synthetic orange colour becomes symbolic: used to enhance visibility, it signifies the strong opposition and rejection of its natural environment. 

Untitled (BLM arrows I)

From the series High Visibility (Blaze Orange)

Antelope Island (Utah) Buffalo Hunt photograph collection, Digital MSSC782, No. 6, Altered

L. Clyde Anderson photograph collection (1910- 1959), P0158, Box 1, Folder 27, Altered

Charles James Neal photograph collection (1900 - 1920s), P0694, Box 1, Folder 4, Altered

The West Desert is located on the western side of the Great Salt Lake [UT, United States]. Historically, this area has been documented through photography and land surveys, supporting the violent exploitation of the landscape. 

Archives, II

Untitled (grid)

Nearly one-third of the West Desert's 7.7 million acres are used as biological and chemical weapons testing grounds. The remaining areas of the West Desert are open to various uses, including improvised gun ranges.

Collected Targets

Collected Targets, from the series High Visibility (Blaze Orange)

L. Clyde Anderson photograph collection (1910- 1959), P0158, Box 1, Folder 6, Altered

Stansbury Island, the second largest island in the Great Salt Lake, echoes with gunfire and is littered with bullet holes, clay pigeons and improvised targets. The Bureau of Land Management refers to this detritus as "trigger trash".

Found Clay Pigeons

Archives, V

Jaclyn Wright

Opening Foam Talent | London, 2019

We can't live – without each other, 2019

Ka 2phisi yaka e pinky II, 2013, Her Story series

Tell the Trees to Smile

There Is Nothing New Under the Sun/See Daylight

The Act of Sitting

Malign Influences/The Holy Mountains

Face As Mask II, 2018

Koraal Tabak, 2016

Foam Talent Call

Being selected as a Foam Talent puts you in the spotlight of the international photography world.

Dialect, 2020

An internationally acclaimed photography prize awarded to artists whose creative vision speaks to our current time.

Foam Paul Huf Award

A fixed exhibition space in the museum that is exclusively oriented towards the innovative work of young talent from the Netherlands and abroad.

Foam 3h

Exhibition series that aims to introduce the public to innovative art created by young visual makers with ground-breaking use of photography.

Next Level

Foam 3h: Karolina Wojtas We can't live – without each other, 2022

Grant established in memory of Florentine Riem Vis with the goal of supporting young photographic talents.

Florentine Riem Vis Grant

Opening de Meervaart 

Youth development programme that focusses on up-and-coming talent within various cultural houses in Amsterdam.

Foam Forward

Talent Programmes

A biennial fellowship for three promising emerging photographers working in the artistic field.

recommended Olympus Fellowship

Foam was one of the founding partners of Unseen Amsterdam. Each year, Unseen is the place where many renowned galleries worldwide reveal artist's work

Unseen Photo Fair

Your Foam, 2021

The Your Foam team consists of MBO students from a variety of educations.

Your Foam

Foam Lab was a cultural traineeship for young professionals that offered suitable work experience within the museum. 

Foam Lab

Past programmes

 Foam Magazine #65: Talent, 2024

Front cover: Faceless, 2023. Image from the series (Inter)Faces of Predictions

in Foam Magazine

Discover more Foam Talent

on Foam Magazine Online

Explore free editorial content

Talent

Next Level 2024

Paolo Cirio

Previously at Next Level

About Ammodo Art

all talent programmes

More talent programmes

Club Foam diner, 2022

“The people, 
the atmosphere, 
the programme, 
everything was 
truly amazing.”

Curator Tour Viviane Sassen, Club Foam diner, 2024

Benefits

Opening Foam Talent 2024

Club Foam Diner, 2022

Opening Carlijn Jacobs, 2023

Club Foam diner, 2023

Foam Photography Through the Lens of AI opening 46 high res

Foam Photography Through the Lens of AI opening 66 high res

Foam Talent Network Brunch, 2022

Foam aims to be a flexible and versatile partner to companies that wish to associate with talent development, contemporary photography of the highest international level, entrepreneurship and innovation.

Installation

Sasha Velichko
State of Denial

Sara De Brito Faustino
A Home With No Roof

Nazanin Hafez
Spectators

Daniel Mebarek
Fotos Gratis

Fatemeh Rezaei
Archive of Traces

Rayane Jemaa
Is This The Middle East?

Varvara Uhlik
Sonechko, Yak Ty?
(Sunshine, How Are You?)

Paolo Cirio
Artist of the Post-Panopticon Era

In Search of Perfect Orange
About the work of Benjamin Li

Ask The Artist:
Felipe Romero Beltrán

How to Love a Tree: Wild Encounters
About the work of Hira Nabi

Martin Parr
Very Modern and Rather Ugly

From Innovation to Art:
The History of AI images

Establishing Eden by Persijn Broersen & Margit Lukács

Studio Visit: Blommers & Schumm

Sustainability renovations at Foam

A Parliament of Empty Gestures by Mark Duffy

On My Mind: Wala’adin Abdurahaman by Faiz Abubakr

Objectives & articles of association

Hiền Hoàng - Garden of Entanglement

Jaclyn Wright

Talent

Next Level

Martin Parr - Very Modern and Rather Ugly

Become a Foam Neighbour

Installation

Sasha VelichkoState of Denial

Sara De Brito FaustinoA Home With No Roof

Nazanin HafezSpectators

Daniel MebarekFotos Gratis

Fatemeh RezaeiArchive of Traces

Rayane JemaaIs This The Middle East?

Varvara UhlikSonechko, Yak Ty? (Sunshine, How Are You?)

Paolo CirioArtist of the Post-Panopticon Era

In Search of Perfect OrangeAbout the work of Benjamin Li

Ask The Artist: Felipe Romero Beltrán

How to Love a Tree: Wild EncountersAbout the work of Hira Nabi

Martin ParrVery Modern and Rather Ugly

From Innovation to Art: The History of AI images

Establishing Eden by Persijn Broersen & Margit Lukács

Studio Visit: Blommers & Schumm

Sustainability renovations at Foam

A Parliament of Empty Gestures by Mark Duffy

On My Mind: Wala’adin Abdurahaman by Faiz Abubakr

Objectives & articles of association

Hiền Hoàng - Garden of Entanglement

Jaclyn Wright

Talent

Next Level

Martin Parr - Very Modern and Rather Ugly

Become a Foam Neighbour

Sasha Velichko
State of Denial

Sara De Brito Faustino
A Home With No Roof

Nazanin Hafez
Spectators

Daniel Mebarek
Fotos Gratis

Fatemeh Rezaei
Archive of Traces

Rayane Jemaa
Is This The Middle East?

Varvara Uhlik
Sonechko, Yak Ty?
(Sunshine, How Are You?)

Paolo Cirio
Artist of the Post-Panopticon Era

In Search of Perfect Orange
About the work of Benjamin Li

Ask The Artist:
Felipe Romero Beltrán

How to Love a Tree: Wild Encounters
About the work of Hira Nabi

Martin Parr
Very Modern and Rather Ugly

From Innovation to Art:
The History of AI images