Workshop mbo 2019

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MBO - Workshop - AI: Artificial Identity

From the Archive: Waste Identity: Passports for Plastic & Bola Bola Living by Aàdesokan 

Come to Foam for a tour of the exhibition Structures of Identity - Photography from The Walther Collection.

<a href="/museum/programme/structures-of-identity">Structures of Identity</a> shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or, indeed, critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition, featuring works form the&nbsp;renowned Walther Collection, includes iconic portraits by photographers including August Sander, Richard Avedon and J.D. Ojeikere combined with the work of contemporary photographers like Yto Barrada, Samuel Fosso, Zanele Muholi and Guy Tillim.
This tour is especially organised for Museumkaart holders and takes place on Saturdays in July (14, 21 and 28) and August (11, 18 and 25) at 11am. Limited spots are available so please <a href="/book-a-visit/public/guided-tour-structures-of-identity">book here</a> in advance.
The exhibition is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam. Foam is supported by BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">Guided tour info 
Saturday 14, 21, 28 July&nbsp; 11am - 12pm&nbsp; 
Saturday 11, 18, 25 August&nbsp; 11am - 12pm&nbsp;
 PRICE Participation is free. This tour is reserved for Museumkaart holders.
&nbsp;
LANGUAGE Dutch</div>

Guided tour: Structures of Identity

You are invited to join us on 28 June for the public opening of two new exhibitions:

STRUCTURES OF IDENTITY - PHOTOGRAPHY FROM THE WALTHER COLLECTION<a href="/museum/programme/structures-of-identity"><img src="https://a.storyblok.com/f/113697/595x738/6996fa805d/rose_fitzgerald_kennedy__hyannisport__massachusetts__september_2__1976_flat595.jpg" alt="" width="595" height="738" /></a> Rose Fitzgerald Kennedy, Hyannisport, Massachusetts, September 2, 1976&nbsp; Photograph by Richard Avedon Copyright &copy; The Richard Avedon Foundation&nbsp;
Structures of Identity shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or indeed critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition focuses on the relationship between self-image and social identity as captured by means of photography. Iconic works by photographers including August Sander, Richard Avedon and J.D. Ojeikere are combined with the work of contemporary photographers like Yto Barrada, Samuel Fosso, Zanele Muholi and Guy Tillim. There are also remarkable historical photos by unknown photographers.
The exhibition is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam.
This exhibition is on view from 29 June until 29 August 2018.
<a href="/museum/programme/structures-of-identity">&gt; Read more about this exhibition</a>
FOAM 3H: STELIOS KALLINIKOU - STUDIES IN GEOLOGY<a href="/museum/programme/stelios-kallinikou"><img src="https://a.storyblok.com/f/113697/595x397/e0bfc90b96/water_composition_1_2017_c_kallinikou.jpg" alt="" width="595" height="397" /></a>Water Composition 1, 2017 &copy; Stelios Kallinikou
Foam is proud to present the exhibition Foam 3h: Stelios Kallinikou - Studies in Geology. A sense of continual exploration of national identity typifies the body of work of Cypriot photographer Stelios Kallinikou (Limassol, 1985), who creates magical and beautiful images that are deeply rooted in the Cypriot landscape. The landscape, as a result of our collective action, becomes a vehicle for his thoughts on place, history, time and space &ndash;all fundamental issues related to human nature.
This exhibition is made possible with support of the Gieskes-Strijbis Fund and the Van Bijlevelt Foundation.
This exhibition is on view from 29 June until 2 September 2018.
<a href="/museum/programme/stelios-kallinikou">&gt; Read more about this exhibition</a>
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content"> public opening 
Thursday 28 June 2018 from 5.30pm</div>

Public opening: Structures of Identity

Enjoy a special viewing of the exhibition Structures of Identity - Photography from The Walther Collection outside of regular museum hours.

Explore the works from The Walther Collection by Richard Avedon, August Sander and many more undisturbed for hours on end. On the last evening before the exhibition closes, Foam opens the doors for a last chance to visit and complimentary guided tours.
Member Hours are open to Foam support members and employees of Foam's corporate partners. Present your membership or employee card for admission to the museum.
<img src="https://a.storyblok.com/f/113697/595x601/94958f7008/untiteld_1966_19975_c_jd_ojeikere_hairstyles_595px.jpg" alt="" width="595" height="601" /> Untitled [Hairstyle], 1966-75 &copy; J.D. Okhai Ojeikere/ Courtesy The Walther Collection and Galerie Magnin-A, Paris (detail from grid).
ABOUT THE EXHIBITION Structures of Identity - Photography from The Walther Collection shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or indeed critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition focuses on the relationship between self-image and social identity as captured by means of photography. <a href="/museum/programme/structures-of-identity">&gt; read more about the exhibition</a>
BECOME A FOAM MEMBER. <a href="/about/memberships">JOIN ONLINE</a> TODAY Do you want to join our Member Hours but are not yet a member? Then sign up today and start taking advantage of the many benefits. Foam Members enjoy privileges all year long, including free workshops, exclusive previews and, of course, member hours.
The exhibition&nbsp;Structures of Identity is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam. Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">MEMBER HOURS INFO 
Tuesday 28 August 2018 6.30pm - 9pm guided tours included</div>

Member Hours Structures of Identity

Club Foam and Foam Fund members are invited for an exclusive preview of the new exhibitions.

Foam presents two new exhibitions end of June:&nbsp;Structures of Identity &ndash; Photography from The Walther Collection&nbsp;and Stelios Kallinikou (1985, Cyprus) is exhibiting his work at Foam 3h.&nbsp;
The day before the official opening two guests will accompany the preview: collector Artur Walther will speak about his collection and Stelios is present for a meet and greet. Both exhibitions are there to explore&nbsp;undisturbed for hours.&nbsp;
<img src="https://a.storyblok.com/f/113697/595x901/8d74051a5e/dikeledi_sibanda_yeoville_johannesburg_2007_c_zanele_muholi_595px.jpg" alt="" width="595" height="901" /> Dikeledi Sibanda, Yeoville, Johannesburg, 2007 &copy; Zanele Muholi / Courtesy The Walther Collection
ABOUT THE EXHIBITION Structures of Identity - Photography from The Walther Collection shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or indeed critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition focuses on the relationship between self-image and social identity as captured by means of photography. <a href="/museum/programme/structures-of-identity">&gt; Read more about the exhibition</a>
This preview is exclusively for Club Foam and Foam Fund members and takes place from 6.30 until 8.30pm.&nbsp;You can <a title="Sign up for the preview on Wedneday 27 June" href="mailto:sophia@foam.org">sign up here</a>.&nbsp;
BECOME A FOAM MEMBER. <a href="/about/memberships">JOIN ONLINE</a> TODAY Do you want to join the Member preview but are not yet part of Club Foam or Foam Fund? Then <a href="/about/memberships">sign up</a>&nbsp;today and start taking advantage of the many benefits. Foam Members enjoy privileges during the year, including previews, studio visits and meetups with photographers.&nbsp; Not a member yet? <a href="/about/memberships/club-foam">&gt; Read more about Club Foam</a> <a href="/about/memberships/foam-fund">&gt; Read more about Foam Fund</a>
The exhibition&nbsp;Structures of Identity is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam.
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">EVENT INFO 
Wednesday 27 June 2018 6.30pm - 8.30pm
 SIGN UP* Via Sophia Velthoven <a href="mailto:sophia@foam.org">sophia@foam.org</a> *sign up before 22 June</div>

Member preview Structures of Identity

In the exhibition Structures of Identity - Photography from The Walther Collection Foam presents a selection of photographic works from the famous German-American collection.

Structures of Identity shows how photographers from different&nbsp;periods and diverse cultures have used the power of the portrait&nbsp;to confirm or indeed critically investigate stereotypical ideas&nbsp;about gender, race, status and nationality. The exhibition focuses&nbsp;on the relationship between self-image and social identity as&nbsp;captured by means of photography. Iconic works by photographers including August Sander, Richard Avedon and J.D.&nbsp;Ojeikere are combined with the work of contemporary photographers like Yto Barrada, Samuel Fosso, Zanele Muholi and Guy Tillim. There are also remarkable historical photos by&nbsp;unknown photographers.&nbsp;
<img src="https://a.storyblok.com/f/113697/595x298/a64c92c3b2/instalatieshot_structures_of_identity_595x_298.jpg" alt="" width="595" height="298" />Installation shot, 2018 &copy; Christian van der Kooy ABOUT THE WALTHER COLLECTION The Walther Collection is an art foundation dedicated to the critical understanding of historical and contemporary photography and related media. Through a programme of international exhibitions, in-depth collections, original research, and scholarly publications, The Walther Collection aims to highlight the social uses of photography and to expand the history of the medium. Visit and revisit Structures of Identity - Photography&nbsp;from The Walther Collection, other exhibitions and <a href="/museum/programme/for-members">events</a> as a <a href="/about/memberships">Foam Member</a>.
The exhibition is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam. Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">FotoBaas 
<img src="/userfiles/logos/foamie4.jpg" alt="" width="180" height="123" /></div>

<div class="sidebar__content"> Side programme 
&nbsp;
Outside/In: Lisa Konno Thursday 16 August 6.30pm - 8pm
<a href="/museum/programme/outside-in-lisa-konno">&gt; Read more</a>
 Guided Tour Saturday 14, 21, 28 July Saturday 11, 18, 25 August 11am - 12pm
<a href="/museum/programme/guided-tour-structures-of-identity">&gt; Read more</a> Walk-in Workshop Every Sunday 2pm - 4pm
<a href="/museum/programme/walk-in-workshop-structures-of-identity">&gt; Read more</a> Visit and workshop in SLN Sunday 22 July and 19 August 1.30pm - 3pm
<a href="/museum/programme/visit-and-workshop-in-sln">&gt; Read more</a></div>

Structures of Identity

Still from Northern Winds with Jonathas de Andrade - Ammodo Docs

With my art projects, I approach people that historically experience oppression in many different ways. But still, their culture, their tradition, their way of keeping knowledge alive: they represent resistance in many ways.,

Still from the documentary Northern Winds with Jonathas de Andrade

Northern Winds: Artist Jonathas de Andrade’ Fascination with Jangadeiros | Ammodo Docs

watch the documentary

see more

Northern Winds: Jonathas de Andrade’ Fascination with Jangadeiros

Mooncake, Foam Café, Amsterdam

Spread from Chinees-Indisch Stickeralbum

Cahier for Benjamin Li's In Search of Perfect Orange - Chinese Version

Chinese version

Liz Johnson Artur - of life of love of sex of movement of hope, 2021

In Search of Perfect Orange. About the work of Benjamin Li

See, through you, from the filmstrip series 36 Serendipities, 2021

Untitled, 2023

There are fairies by the lake, from the filmstrip series 36 Serendipities, 2021

Portrait with goats from the series Motherlands – three faithful things, 2021

Young Human. An interview with ShuShu Sieberns

Aby Fulani

Dialect, 2020-2023

Dialect, 2023, Courtesy of LooseJoints

Installation view of Dialect

learn more

Ask The Artist: Felipe Romero Beltrán

Aspromonte - Guilty Grounds, 2023

The barrel – Guilty Grounds, 2023

Silent Chronicles. About the work of Steffi Reimers

A still from Wild Encounters, 2023

"At a certain point I lost track of you. 
They make a desolation and call it peace. 
when you left even the stones were buried: 
the defenceless would have no weapons." 

"When the ibex rubs itself against the rocks, 
who collects its fallen fleece from the slopes? 
O Weaver whose seems perfectly vanished, 
who weighs the hairs on the jeweller’s balance?"

"If only somehow you could have been mine, 
what would not have been possible in the world?" 

‘In the lake the arms of temples and mosques are locked in each other’s reflections.  
Have you soaked saffron to pour on them when they are found like this  
centuries later in this country  
I have stitched to your shadow?’ 

How to Love a Tree: Wild Encounter. About the work of Hira Nabi

Gigapedia: Haatsymboliek en Online Codetaal

Bereitschaft, 2024

Gigapedia: Exhibition Glossary. About the work of Jakob Ganslmeier and Ana Zibelnik

From the Archive:  Establishing Eden by Persijn Broersen & Margit Lukács

André Ramos-Woodard

, André Ramos-Woodard addresses the widespread anti-Black racism deeply rooted in American society. The work centres around the idea that to heal from the harm and pain caused by this, it's essential to acknowledge its history.

Critiquing the media's portrayal of Black individuals through stereotypical imagery, Ramos-Woodard takes a unique approach. He recreates illustrations of Black people, found throughout the history of cartooning, and blends them with his own photographs that celebrate Black identity, inspired by his personal experiences. 

Drawing from his lifelong love of comic books and anime, Ramos-Woodard seamlessly combines photography and illustration, creating a visual language that unites contrasting realities. Through this approach, he confronts the audience with the long-lasting effects of racial hierarchies, using the familiar and funny aspects of cartoons to turn them into a tool to advocate for change.

Authenticity (2 CHAINZ), 2022, from the series BLACK SNAFU

My people have had to cry, scream, and fight for respect for centuries, and we still have not gained what we deserve.

Trophies, 2020, from the series BLACK SNAFU

Buds, 2020, from the series BLACK SNAFU

BLACK SNAFU

Drawing Mickey in Melodrama

Coonin' and bafoonin', 2023, from the series BLACK SNAFU

Niggas at the park, 2021, from the series BLACK SNAFU

Hate monger, 2022, from the series BLACK SNAFU

United States education system, 2022, from the series BLACK SNAFU

To move past the damage [anti-Blackness] has done to our society, we can’t simply deny our history—we must recognize it.

BL!NG, 2020, from the series BLACK SNAFU

Zooted, 2020, from the series BLACK SNAFU

Dine Dine Khasiya Paribe

 is a visual folktale, following the tunes of local songs from the Rajbanshi community in Assam and Bengal, India. Historically, this community has continuously been mis-identified and culturally erased through the crushing weight of colonial bureaucracy. The series documents Akshay Mahajan’s journey in search for what ‘identity’ truly is.

Growing up in Mumbai as a child of the Indian partition, without any knowledge of his own heritage, Akshay Mahajan attempted to construct a new identity: not by birth, but through love. Folksongs, sung by his wife, drew him to north-eastern India, to the Rajbanshi people—bringing back to live a cultural tradition on the brink of obscurity. 

The resulting works are an intuitive and associative exploration about the meaning of ‘identity’. The use of the collaging technique refers to the constructed nature of identity, as something that is continually challenged and reassembled. Mahajan explains: “We are all people of clay, our identities constantly changing, not chained by the borders we have inherited.”

Listen to "Dine Dine Khasiya Paribe" by clicking the play button at the bottom of the exhibition.

From the series People of Clay

Akshay Mahajan

In 1947, when the British left India after 89 years of colonial rule, the land was divided into two countries: Pakistan and India. Known as the Partition of India, this enforced and hastily drawn line sparked a violent mass migration of fifteen million people, changing the course of history on the subcontinent for generations to come.  

, Aaryan Sinha documented his journey across five Indian states bordering with Pakistan. The photographs capture his travels in an intuitive and poetic way, and together investigate how historical events, like the partition, influence the Indian landscape and the identity of its people, including his own. 

At the core of the project lies Aaryan’s attempt to depict a version of India that is truer to his experience, one of similarity and connection, rather than division and opposition. Through this, his project also exposes the relationship between photography and colonialism—aiming to revoke the stereotypical perception of a poor, overpopulated nation held by many in the West. 

In a Sandstone Mine

A Dream from Childhood

Portrait of Time

From the series This Isn't Divide and Conquer

Stillness

Scars Run Deep

Escape

Reinforcement

Aaryan Sinha

Kardeşlik from the series Turunç

 in 2020. Using photography printed on transparent fabric  as the medium, the artwork is displayed at 250 x 203 cm.

Evimde from the series Turunç

more artworks

visible in

 (Bitter Orange) records the daily lives of young men with a Turkish background in the suburbs of Paris and Berlin. Solène Gün, herself a child of Turkish immigrants and raised in a Parisian suburb, captures the fraternity and strong mutual solidarity that can also go hand in hand with a lack of perspective.

The work is named after an orange commonly found in Turkey. The fruit is a metaphor for the bittersweet existence of a community that is frequently the target of negative stereotyping. Torn between the conflicting urge to hide and the wish to be heard, these men are portrayed faceless. Gün’s focus is on the symbols and gestures through which their identities are expressed, such as a necklace, a prayer rug or the silhouette of a brotherly handshake.

Evimde from the series Turunç

 in 2020. Using photography printed on satin paper as the medium, the artwork is displayed at 110 x 90 cm.

. Through this image, the symbol of fraternity is placed at the forefront in order to escape the stereotypes people may have on suburbs and young from the Turkish community.

Kardeşlik from the series Turunç

For information and visual material please check www.foam.org/press or contact the press office of Foam on +31 (0)20 5516500 / pressoffice@foam.org

Note to editors

De Ondergedoken Camera

selected artists

Welcome to Talent 2024-2025 – the digital exhibition.

Here, Foam proudly presents 20 selected Talents in their very own online universe. Out of a dazzling 2,480 submissions, this final curation of exceptional work defines the new horizons of the medium of photography, thematically and technically. Highlighting the connections, this interactive network brings all Talents together and maps out their distinct artistic viewpoints.

Spanning across the globe, the stories told by these artists reflect a universal yearning for belonging—a profound desire to anchor, to establish a connection with the past and carve out a sense of place. A driving force underpinning their work is the quest to trace heritage, untangle family lines, and explore personal identity.

Acknowledging the constructed nature of history, memory, or even their own thoughts, these artists boldly confront existing narratives. They embark on a journey of unlearning, challenging established stories, and turn to the expansive nature of photography to build new understandings and narratives, resonating more authentically with their lived experiences.

Noteworthy in their approach is the harmonious balance between tradition and innovation. The artists seamlessly blend traditional photographic techniques with cutting-edge developments, including the much-discussed realm of artificial intelligence, and other mediums such as moving image, embroidery and music. 

Select one of the filters to zoom in on these different techniques and mediums.

This digital exhibition presents the work in a truly multi-medial way, inviting you to 

about Foam Talent Digital

artists shaping the future of photography

Foam is supported by the VriendenLoterij, Foam Members, the VandenEnde Foundation and the City of Amsterdam.

The Foam Talent programme and the annual Talent Issue of Foam Magazine are supported by:

Overview

Created by Namsa Leuba in 2015. The artwork is an inkjet print on satin paper on dibond 2mm and displayed at 60 x 43.8 cm.

Waves from the Web, 2009

Visible in

This photo is bursting with graphic forms and lively colours, and the model’s posture radiates a sense of pride. The pink background contrasts with the yellow on Damien’s cheek. Aesthetically, this photo resembles a fashion shoot, much like you can find in a fashion magazine. Yet the photographer Namsa Leuba actually works in the space between multiple genres: inspired by fashion photography, she combines this form with documentary practices and performance art. In het series 

, she explores Nigeria’s innovative and creative youth culture. The Nigerian capital of Lagos, with its bustling chaos and resolute energy, served as Leuba’s inspiration for this series. To create 

, she collaborated with local fashion designers and models to translate the city’s vitality into a visual explosion of clothing, props and accessories. The resulting images, such as this portrait of Damien, present a complex, dynamic and contemporary reflection of Lagos, a city that proudly proclaims its own identity. 

Damien, 2015 from the series Next Generation Lagos, 2015

Damien, 2015

What's Ours, 2019

Award prize

Selection criteria

Winner Foam Paul Huf Award 2025

Myriam Boulos

Jury 2025

We feel her presence in these images, where gentle interactions and encounters of vulnerability burst into power. We sense her deep connection to those she photographs. We feel her entanglement with the complexity of the situation.

Most recent exhibitions

All winners

About Paul Huf

Foam Talent Call

Foam 3h

back to the overview

Other talent inititatives

Foam Paul Huf Award

Created by Christto & Andrew in 2014. The artwork is a print mounted on pvc and displayed at 100 x 75 cm.

Untitled from the series Bible, 2008-2014

Foam is supported by the VriendenLoterij, Foam Members, De Brauw Blackstone Westbroek, the VandenEnde Foundation and the City of Amsterdam.

In 2021 Foam receives additional support from the Mondriaan Fund and Kickstart Cultuurfonds

A smartly dressed lady with an eye-patch, who appears to be serving her own eye on a dish. It is an absurd image, comical and horrifying at the same time. The portraits in the series 

 stand out for their bold use of colour and overall exaggeration. As the series title suggests, the duo sees identity as something you can shape, and that morphs and changes. The vivid monochromatic background further enhances the woman’s presence. 

 is a critical reflection on Qatari society, depicting an ultramodern and extravagant life on the one hand, and extreme inequality on the other. 

identity

AI: Artificial Identity

From the Archive: Waste Identity: Passports for Plastic & Bola Bola Living by Aàdesokan

Guided tour: Structures of Identity

Public opening: Structures of Identity

Member Hours Structures of Identity

Member preview Structures of Identity

Structures of Identity

Northern Winds: Jonathas de Andrade’s Fascination with Jangadeiros

In Search of Perfect Orange
About the work of Benjamin Li

Young Human
An interview with ShuShu Sieberns

Ask The Artist:
Felipe Romero Beltrán

Silent Chronicles
About the work of Steffi Reimers

How to Love a Tree: Wild Encounters
About the work of Hira Nabi

Gigapedia: Hate Symbols and Online Codes
Exhibition Glossary

From the Archive: Establishing Eden by Persijn Broersen & Margit Lukács

André Ramos-Woodard

Akshay Mahajan

Aaryan Sinha

Evimde from the series Turunç

Kardeşlik from the series Turunç

De Ondergedoken Camera

Overview

Damien, 2015

Foam Paul Huf Award

Wakeful Dreams, 2014

identity

AI: Artificial Identity

From the Archive: Waste Identity: Passports for Plastic & Bola Bola Living by Aàdesokan

Guided tour: Structures of Identity

Public opening: Structures of Identity

Member Hours Structures of Identity

Member preview Structures of Identity

Structures of Identity

Northern Winds: Jonathas de Andrade’s Fascination with Jangadeiros

In Search of Perfect OrangeAbout the work of Benjamin Li

Young HumanAn interview with ShuShu Sieberns

Ask The Artist: Felipe Romero Beltrán

Silent ChroniclesAbout the work of Steffi Reimers

How to Love a Tree: Wild EncountersAbout the work of Hira Nabi

Gigapedia: Hate Symbols and Online CodesExhibition Glossary

From the Archive: Establishing Eden by Persijn Broersen & Margit Lukács

André Ramos-Woodard

Akshay Mahajan

Aaryan Sinha

Evimde from the series Turunç

Kardeşlik from the series Turunç

De Ondergedoken Camera

Overview

Damien, 2015

Foam Paul Huf Award

Wakeful Dreams, 2014

In Search of Perfect Orange
About the work of Benjamin Li

Young Human
An interview with ShuShu Sieberns

Ask The Artist:
Felipe Romero Beltrán

Silent Chronicles
About the work of Steffi Reimers

How to Love a Tree: Wild Encounters
About the work of Hira Nabi

Gigapedia: Hate Symbols and Online Codes
Exhibition Glossary