Come to Foam for a tour of the exhibition Structures of Identity - Photography from The Walther Collection.

<a href="/museum/programme/structures-of-identity">Structures of Identity</a> shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or, indeed, critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition, featuring works form the&nbsp;renowned Walther Collection, includes iconic portraits by photographers including August Sander, Richard Avedon and J.D. Ojeikere combined with the work of contemporary photographers like Yto Barrada, Samuel Fosso, Zanele Muholi and Guy Tillim.
This tour is especially organised for Museumkaart holders and takes place on Saturdays in July (14, 21 and 28) and August (11, 18 and 25) at 11am. Limited spots are available so please <a href="/book-a-visit/public/guided-tour-structures-of-identity">book here</a> in advance.
The exhibition is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam. Foam is supported by BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">Guided tour info 
Saturday 14, 21, 28 July&nbsp; 11am - 12pm&nbsp; 
Saturday 11, 18, 25 August&nbsp; 11am - 12pm&nbsp;
 PRICE Participation is free. This tour is reserved for Museumkaart holders.
&nbsp;
LANGUAGE Dutch</div>

Guided tour: Structures of Identity

You are invited to join us on 28 June for the public opening of two new exhibitions:

STRUCTURES OF IDENTITY - PHOTOGRAPHY FROM THE WALTHER COLLECTION<a href="/museum/programme/structures-of-identity"><img src="https://a.storyblok.com/f/113697/595x738/6996fa805d/rose_fitzgerald_kennedy__hyannisport__massachusetts__september_2__1976_flat595.jpg" alt="" width="595" height="738" /></a> Rose Fitzgerald Kennedy, Hyannisport, Massachusetts, September 2, 1976&nbsp; Photograph by Richard Avedon Copyright &copy; The Richard Avedon Foundation&nbsp;
Structures of Identity shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or indeed critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition focuses on the relationship between self-image and social identity as captured by means of photography. Iconic works by photographers including August Sander, Richard Avedon and J.D. Ojeikere are combined with the work of contemporary photographers like Yto Barrada, Samuel Fosso, Zanele Muholi and Guy Tillim. There are also remarkable historical photos by unknown photographers.
The exhibition is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam.
This exhibition is on view from 29 June until 29 August 2018.
<a href="/museum/programme/structures-of-identity">&gt; Read more about this exhibition</a>
FOAM 3H: STELIOS KALLINIKOU - STUDIES IN GEOLOGY<a href="/museum/programme/stelios-kallinikou"><img src="https://a.storyblok.com/f/113697/595x397/e0bfc90b96/water_composition_1_2017_c_kallinikou.jpg" alt="" width="595" height="397" /></a>Water Composition 1, 2017 &copy; Stelios Kallinikou
Foam is proud to present the exhibition Foam 3h: Stelios Kallinikou - Studies in Geology. A sense of continual exploration of national identity typifies the body of work of Cypriot photographer Stelios Kallinikou (Limassol, 1985), who creates magical and beautiful images that are deeply rooted in the Cypriot landscape. The landscape, as a result of our collective action, becomes a vehicle for his thoughts on place, history, time and space &ndash;all fundamental issues related to human nature.
This exhibition is made possible with support of the Gieskes-Strijbis Fund and the Van Bijlevelt Foundation.
This exhibition is on view from 29 June until 2 September 2018.
<a href="/museum/programme/stelios-kallinikou">&gt; Read more about this exhibition</a>
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content"> public opening 
Thursday 28 June 2018 from 5.30pm</div>

Public opening: Structures of Identity

Enjoy a special viewing of the exhibition Structures of Identity - Photography from The Walther Collection outside of regular museum hours.

Explore the works from The Walther Collection by Richard Avedon, August Sander and many more undisturbed for hours on end. On the last evening before the exhibition closes, Foam opens the doors for a last chance to visit and complimentary guided tours.
Member Hours are open to Foam support members and employees of Foam's corporate partners. Present your membership or employee card for admission to the museum.
<img src="https://a.storyblok.com/f/113697/595x601/94958f7008/untiteld_1966_19975_c_jd_ojeikere_hairstyles_595px.jpg" alt="" width="595" height="601" /> Untitled [Hairstyle], 1966-75 &copy; J.D. Okhai Ojeikere/ Courtesy The Walther Collection and Galerie Magnin-A, Paris (detail from grid).
ABOUT THE EXHIBITION Structures of Identity - Photography from The Walther Collection shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or indeed critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition focuses on the relationship between self-image and social identity as captured by means of photography. <a href="/museum/programme/structures-of-identity">&gt; read more about the exhibition</a>
BECOME A FOAM MEMBER. <a href="/about/memberships">JOIN ONLINE</a> TODAY Do you want to join our Member Hours but are not yet a member? Then sign up today and start taking advantage of the many benefits. Foam Members enjoy privileges all year long, including free workshops, exclusive previews and, of course, member hours.
The exhibition&nbsp;Structures of Identity is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam. Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">MEMBER HOURS INFO 
Tuesday 28 August 2018 6.30pm - 9pm guided tours included</div>

Member Hours Structures of Identity

Club Foam and Foam Fund members are invited for an exclusive preview of the new exhibitions.

Foam presents two new exhibitions end of June:&nbsp;Structures of Identity &ndash; Photography from The Walther Collection&nbsp;and Stelios Kallinikou (1985, Cyprus) is exhibiting his work at Foam 3h.&nbsp;
The day before the official opening two guests will accompany the preview: collector Artur Walther will speak about his collection and Stelios is present for a meet and greet. Both exhibitions are there to explore&nbsp;undisturbed for hours.&nbsp;
<img src="https://a.storyblok.com/f/113697/595x901/8d74051a5e/dikeledi_sibanda_yeoville_johannesburg_2007_c_zanele_muholi_595px.jpg" alt="" width="595" height="901" /> Dikeledi Sibanda, Yeoville, Johannesburg, 2007 &copy; Zanele Muholi / Courtesy The Walther Collection
ABOUT THE EXHIBITION Structures of Identity - Photography from The Walther Collection shows how photographers from different periods and diverse cultures have used the power of the portrait to confirm or indeed critically investigate stereotypical ideas about gender, race, status and nationality. The exhibition focuses on the relationship between self-image and social identity as captured by means of photography. <a href="/museum/programme/structures-of-identity">&gt; Read more about the exhibition</a>
This preview is exclusively for Club Foam and Foam Fund members and takes place from 6.30 until 8.30pm.&nbsp;You can <a title="Sign up for the preview on Wedneday 27 June" href="mailto:sophia@foam.org">sign up here</a>.&nbsp;
BECOME A FOAM MEMBER. <a href="/about/memberships">JOIN ONLINE</a> TODAY Do you want to join the Member preview but are not yet part of Club Foam or Foam Fund? Then <a href="/about/memberships">sign up</a>&nbsp;today and start taking advantage of the many benefits. Foam Members enjoy privileges during the year, including previews, studio visits and meetups with photographers.&nbsp; Not a member yet? <a href="/about/memberships/club-foam">&gt; Read more about Club Foam</a> <a href="/about/memberships/foam-fund">&gt; Read more about Foam Fund</a>
The exhibition&nbsp;Structures of Identity is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam.
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">EVENT INFO 
Wednesday 27 June 2018 6.30pm - 8.30pm
 SIGN UP* Via Sophia Velthoven <a href="mailto:sophia@foam.org">sophia@foam.org</a> *sign up before 22 June</div>

Member preview Structures of Identity

In the exhibition Structures of Identity - Photography from The Walther Collection Foam presents a selection of photographic works from the famous German-American collection.

Structures of Identity shows how photographers from different&nbsp;periods and diverse cultures have used the power of the portrait&nbsp;to confirm or indeed critically investigate stereotypical ideas&nbsp;about gender, race, status and nationality. The exhibition focuses&nbsp;on the relationship between self-image and social identity as&nbsp;captured by means of photography. Iconic works by photographers including August Sander, Richard Avedon and J.D.&nbsp;Ojeikere are combined with the work of contemporary photographers like Yto Barrada, Samuel Fosso, Zanele Muholi and Guy Tillim. There are also remarkable historical photos by&nbsp;unknown photographers.&nbsp;
<img src="https://a.storyblok.com/f/113697/595x298/a64c92c3b2/instalatieshot_structures_of_identity_595x_298.jpg" alt="" width="595" height="298" />Installation shot, 2018 &copy; Christian van der Kooy ABOUT THE WALTHER COLLECTION The Walther Collection is an art foundation dedicated to the critical understanding of historical and contemporary photography and related media. Through a programme of international exhibitions, in-depth collections, original research, and scholarly publications, The Walther Collection aims to highlight the social uses of photography and to expand the history of the medium. Visit and revisit Structures of Identity - Photography&nbsp;from The Walther Collection, other exhibitions and <a href="/museum/programme/for-members">events</a> as a <a href="/about/memberships">Foam Member</a>.
The exhibition is a collaboration between The Walther Collection, Neu-Ulm (Germany) and New York (US), and Foam. Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, Gemeente Amsterdam, Olympus and the VandenEnde Foundation.

<div class="sidebar__content">FotoBaas 
<img src="/userfiles/logos/foamie4.jpg" alt="" width="180" height="123" /></div>

<div class="sidebar__content"> Side programme 
&nbsp;
Outside/In: Lisa Konno Thursday 16 August 6.30pm - 8pm
<a href="/museum/programme/outside-in-lisa-konno">&gt; Read more</a>
 Guided Tour Saturday 14, 21, 28 July Saturday 11, 18, 25 August 11am - 12pm
<a href="/museum/programme/guided-tour-structures-of-identity">&gt; Read more</a> Walk-in Workshop Every Sunday 2pm - 4pm
<a href="/museum/programme/walk-in-workshop-structures-of-identity">&gt; Read more</a> Visit and workshop in SLN Sunday 22 July and 19 August 1.30pm - 3pm
<a href="/museum/programme/visit-and-workshop-in-sln">&gt; Read more</a></div>

Structures of Identity

André Ramos-Woodard

, André Ramos-Woodard addresses the widespread anti-Black racism deeply rooted in American society. The work centres around the idea that to heal from the harm and pain caused by this, it's essential to acknowledge its history.

Critiquing the media's portrayal of Black individuals through stereotypical imagery, Ramos-Woodard takes a unique approach. He recreates illustrations of Black people, found throughout the history of cartooning, and blends them with his own photographs that celebrate Black identity, inspired by his personal experiences. 

Drawing from his lifelong love of comic books and anime, Ramos-Woodard seamlessly combines photography and illustration, creating a visual language that unites contrasting realities. Through this approach, he confronts the audience with the long-lasting effects of racial hierarchies, using the familiar and funny aspects of cartoons to turn them into a tool to advocate for change.

Authenticity (2 CHAINZ), 2022, from the series BLACK SNAFU

My people have had to cry, scream, and fight for respect for centuries, and we still have not gained what we deserve.

Trophies, 2020, from the series BLACK SNAFU

Buds, 2020, from the series BLACK SNAFU

BLACK SNAFU

Drawing Mickey in Melodrama

Coonin' and bafoonin', 2023, from the series BLACK SNAFU

Niggas at the park, 2021, from the series BLACK SNAFU

Hate monger, 2022, from the series BLACK SNAFU

United States education system, 2022, from the series BLACK SNAFU

To move past the damage [anti-Blackness] has done to our society, we can’t simply deny our history—we must recognize it.

BL!NG, 2020, from the series BLACK SNAFU

Zooted, 2020, from the series BLACK SNAFU

Dine Dine Khasiya Paribe

 is a visual folktale, following the tunes of local songs from the Rajbanshi community in Assam and Bengal, India. Historically, this community has continuously been mis-identified and culturally erased through the crushing weight of colonial bureaucracy. The series documents Akshay Mahajan’s journey in search for what ‘identity’ truly is.

Growing up in Mumbai as a child of the Indian partition, without any knowledge of his own heritage, Akshay Mahajan attempted to construct a new identity: not by birth, but through love. Folksongs, sung by his wife, drew him to north-eastern India, to the Rajbanshi people—bringing back to live a cultural tradition on the brink of obscurity. 

The resulting works are an intuitive and associative exploration about the meaning of ‘identity’. The use of the collaging technique refers to the constructed nature of identity, as something that is continually challenged and reassembled. Mahajan explains: “We are all people of clay, our identities constantly changing, not chained by the borders we have inherited.”

Listen to "Dine Dine Khasiya Paribe" by clicking the play button at the bottom of the exhibition.

From the series People of Clay

Akshay Mahajan

In 1947, when the British left India after 89 years of colonial rule, the land was divided into two countries: Pakistan and India. Known as the Partition of India, this enforced and hastily drawn line sparked a violent mass migration of fifteen million people, changing the course of history on the subcontinent for generations to come.  

, Aaryan Sinha documented his journey across five Indian states bordering with Pakistan. The photographs capture his travels in an intuitive and poetic way, and together investigate how historical events, like the partition, influence the Indian landscape and the identity of its people, including his own. 

At the core of the project lies Aaryan’s attempt to depict a version of India that is truer to his experience, one of similarity and connection, rather than division and opposition. Through this, his project also exposes the relationship between photography and colonialism—aiming to revoke the stereotypical perception of a poor, overpopulated nation held by many in the West. 

In a Sandstone Mine

A Dream from Childhood

Portrait of Time

From the series This Isn't Divide and Conquer

Stillness

Scars Run Deep

Escape

Reinforcement

Aaryan Sinha

Kardeşlik from the series Turunç

 in 2020. Using photography printed on transparent fabric  as the medium, the artwork is displayed at 250 x 203 cm.

Evimde from the series Turunç

more artworks

visible in

 (Bitter Orange) records the daily lives of young men with a Turkish background in the suburbs of Paris and Berlin. Solène Gün, herself a child of Turkish immigrants and raised in a Parisian suburb, captures the fraternity and strong mutual solidarity that can also go hand in hand with a lack of perspective.

The work is named after an orange commonly found in Turkey. The fruit is a metaphor for the bittersweet existence of a community that is frequently the target of negative stereotyping. Torn between the conflicting urge to hide and the wish to be heard, these men are portrayed faceless. Gün’s focus is on the symbols and gestures through which their identities are expressed, such as a necklace, a prayer rug or the silhouette of a brotherly handshake.

Evimde from the series Turunç

 in 2020. Using photography printed on satin paper as the medium, the artwork is displayed at 110 x 90 cm.

. Through this image, the symbol of fraternity is placed at the forefront in order to escape the stereotypes people may have on suburbs and young from the Turkish community.

Kardeşlik from the series Turunç

selected artists

Welcome to Talent 2024-2025 – the digital exhibition.

Here, Foam proudly presents 20 selected Talents in their very own online universe. Out of a dazzling 2,480 submissions, this final curation of exceptional work defines the new horizons of the medium of photography, thematically and technically. Highlighting the connections, this interactive network brings all Talents together and maps out their distinct artistic viewpoints.

Spanning across the globe, the stories told by these artists reflect a universal yearning for belonging—a profound desire to anchor, to establish a connection with the past and carve out a sense of place. A driving force underpinning their work is the quest to trace heritage, untangle family lines, and explore personal identity.

Acknowledging the constructed nature of history, memory, or even their own thoughts, these artists boldly confront existing narratives. They embark on a journey of unlearning, challenging established stories, and turn to the expansive nature of photography to build new understandings and narratives, resonating more authentically with their lived experiences.

Noteworthy in their approach is the harmonious balance between tradition and innovation. The artists seamlessly blend traditional photographic techniques with cutting-edge developments, including the much-discussed realm of artificial intelligence, and other mediums such as moving image, embroidery and music. 

Select one of the filters to zoom in on these different techniques and mediums.

This digital exhibition presents the work in a truly multi-medial way, inviting you to 

about Foam Talent Digital

artists shaping the future of photography

Foam is supported by the VriendenLoterij, Foam Members, the VandenEnde Foundation and the City of Amsterdam.

The Foam Talent programme and the annual Talent Issue of Foam Magazine are supported by:

Overview

 in 2018. Using inkjet print as the medium, the artwork is displayed at 103 x 127 cm.

Untitled (Two Girls Embrace), 2018

Foam is supported by the VriendenLoterij, Foam Members, De Brauw Blackstone Westbroek, the VandenEnde Foundation and the City of Amsterdam.

In 2021 Foam receives additional support from the Mondriaan Fund and Kickstart Cultuurfonds

Tyler Mitchell’s work visualises a black utopia. Making use of candy colour palettes and natural light, Mitchell captures young black people in gardens, parks or in front of idyllic studio backdrops where they appear as free, expressive, effortless, sensitive and proud. The utopia that Mitchell creates, makes one realise how highly it contrasts with the way reality is represented. He produces holistic imagery of individuals from his community and brings their humanity to the forefront.

Untitled (Two Girls Embrace), 2018 from the series I Can Make You Feel Good

Untitled (Two Girls Embrace)

 in 2018. Using inkjet print as the medium, the artwork is displayed at 150 x 210 cm.

Boys of Walthamstow, 2018

Boys of Walthamstow, 2018 from the series I Can Make You Feel Good

Boys of Walthamstow

Created by Nerhol (Yoshihisa Tanaka & Ryuta Iida) in 2015. Using stacked inkjet print as the medium, the artwork is a sculpture displayed at 23 x 20 x 4,5 cm.

w Face, 23 March, Tokyo, Japan, 2015

Nerhol (Yoshihisa Tanaka & Ryuta Iida), 2015

Nerhol is a collaboration between graphic designer Yoshihisa Tanaka and sculptor Ryuta Iida since 2007. Together they explore the concept of the photographic image. Traditionally, a photograph presents a depiction of a person’s three-dimensional face on a flat plane. The work 

, however, is a time-lapse portrait consisting of numerous photographs taken over a three-minute period, a process which captures each and every small, involuntary movement of the subject. Subsequently, Nerhol meticulously scoops out and carves the faces in their photographs, combining a layering of the multiple images with reductive carving. By merging many images into a single picture, the artists unveil the small, ever-present alterations within a photograph. In an ingenious way, the duo questions the genre of photographic portraiture and photography as a snapshot of 'reality': every single, minimal movement can already produce a different representation of the sitter.

w Face, 23 March, Tokyo, Japan

 between 2008 - 2014. Using inkjet print on semi-glossy paper as the medium, the artwork is displayed at 190 x 150 cm.

Untitled from the series Bible, 2008-2014

more from the series

 expresses the complexity of the lives of her friends and lovers struggling with issues of gender identity, several of whom have already undergone gender reassignment surgery. Okabe juxtaposes images of underground Tokyo nightlife and the emotional quakes of her and her friends with the destruction wrought by the heavy earthquake and the subsequent tsunami in 2011. Both Okabe’s loved ones and their surroundings are connected in their struggle to overcome the long and difficult struggle out of their traumatic past, in order to (re)construct an identity for themselves.

Untitled from the series Bible 3

Untitled from the series Bible 2

Untitled from the series Bible 1

Lilac from the series Flamboya

 series. Using C-print on  as the medium, the artwork is displayed at 80 x 65 cm.

Codex from the series Parasomnia, 2010

 shows a young Kenyan man standing in a white shirt with a pink book on his head. He's looking up, but his face is not visible. The photograph is part of the 

 series, which for a large part consists of portraits of young Africans in Zambia, Kenya, and Tanzania. They were often constructed as part of an intuitive collaboration with the subject. Remarkably, it is often impossible to see the subject’s expression: the face and parts of the body tend to be wrapped within a shadow, turning away from the viewer or only display the lower half of the body. This makes it hard to identify with the subject in the photo. The (in)ability to properly register a person’s identity, the limitations preventing the viewer from forming an accurate picture, and the role of photography are recurring themes in Sassen’s work. She plays an intriguing game with perception, undermining our assumptions and stereotypes.

Codex from the series Parasomnia

 series. Using inkjet print on archival paper as the main medium, the artwork is displayed at 100x80 cm.

Lilac shows a loving entanglement, in which two models appear to merge as one with their intertwined limbs. The photograph is part of the 

Foam Collection

Mariage á Loèche-les-Bains (Marriage in Leukerbad), from the series Ekaterina, 2012-16

Current Study #3, 2013

#14 from the series Sun Set, 2011

Maldoror #6, 2014

Bouquet V, 2008

The Crossroads from the series My Life in the Bush of Ghosts, 2014

Cosmic Chakra, 2016

Pat Blake for Vogue NY 1954

Deborah, from the series Week– End, 2009

Collection

Foam proudly presents the work of 20 artists shaping the future of photography in the group exhibition 

. The exhibition brings together artists from across the world, their work signifying a bold new direction in the photographic arts.

authenticity (2 CHAINZ) from the series BLACK SNAFU, 2022

Foam

Joe from the series At last I see you, 2020

Image from the series The Dispossessed, 2023

Fortune in My Thirties from the series Interfaces of Predictions, 2023

A Ranked Amateur from the series To My Darling Love

Untitled from the series Eyes Dazzle as They Search for the Truth

Abraham Lincoln and Drone from the series American Glitch, 2021

Smiles from the series A Study on Waitressing, 2020 - present

Image from the series Frantz Fanon, Me and The Question, 2022

“BURIAL” from the series Las flores mueren dos veces, 2022

Image from the series POST, 2023

This year's Foam Talent offers a unique opportunity to explore shared experiences and perspectives and reflects a collective commitment to enriching our world with new and detailed stories. 

Daughter of Elephants from the series People of Clay, 2023

Front cover: Faceless, 2023. Image from the series (Inter)Faces of Predictions

Foam Talent Digital 2024-2025

Also on view in the digital exhibition

Foam Talent 2024-2025

Tophane, Istanbul, 1958

Podcast

Galata Docks, Istanbul, 1962

Foam Talks about Ara Güler, iconic images, and photo archives, with Claartje van Dijk and Tuana Pulak

from the series Marble Ass

Foam produced a series of podcasts on the occasion of Foam Talent 2022. In this second episode, host and curator of this year's Foam Talent exhibition Mirelva Berghout speaks with Foam Talent Pavo Marinović and special guest Barbara Gregov.

The Feast Inside, from the series Paintings Dreams and Love

Talent Talks 2022 - Pavo Marinović & Barbara Gregov

From the series Inner Journey

Foam produced a series of podcasts on the occasion of Foam Talent 2022. In this first episode, host and curator of this year's Foam Talent exhibition Mirelva Berghout speaks with Foam Talent Marvel Harris and special guest Hélène Selam Kleih.

Talent Talks 2022 with Marvel Harris & Hélène Selam Kleih

Foam Magazine #64 Extremes - The Environmental Issue. Cover: Abundance, 2023

Foam Magazine #64 Extremes - The Environmental Issue Cover: Scarcity, 2023.

Image from the series Theatre of Authenticity

From the series Waste Identity Passport for Plastics & Bola Bola Living

"The portfolios and essays on this side address the growth, excess, overproduction, overconsumption, and greed that drive the Anthropogenic engine to continue grinding."

Presenting Foam Magazine #64: Waste Identity: Passport for Plastics & Bola Bola Living by Aàdesokan

Waste Identity: Passport for Plastics & Bola Bola Living

PORTFOLIO – Waste Identity: Passport for Plastics & Bola Bola Living by Aàdesokan

Presenting Foam Magazine #64: Crisis of Storytelling by Gem Fletcher

LONG READ – Crisis of Storytelling by Gem Fletcher

Presenting Foam Magazine #64: Theatre of Authenticity by Natacha de Mahieu

PORTFOLIO –  Theatre of Authenticity by Natacha de Mahieu

Page 144-145 in Foam Magazine #64: EXTREMES

From the series The Eyes of Earth

From the series Master Rock

"This side shows the impact, the disintegration, and the lack of connection to native knowledge, capturing the decrease in different ways."

identity

Guided tour: Structures of Identity

Public opening: Structures of Identity

Member Hours Structures of Identity

Member preview Structures of Identity

Structures of Identity

André Ramos-Woodard

Akshay Mahajan

Aaryan Sinha

Evimde from the series Turunç

Kardeşlik from the series Turunç

Overview

Untitled (Two Girls Embrace), 2018 from the series I Can Make You Feel Good

Boys of Walthamstow, 2018 from the series I Can Make You Feel Good

w Face, 23 March, Tokyo, Japan

Untitled from the series Bible

Untitled from the series Bible

Untitled from the series Bible

Codex from the series Parasomnia

Lilac from the series Flamboya

Collection

Foam Talent

Foam Talks about Ara Güler, iconic images, and photo archives, with Claartje van Dijk and Tuana Pulak

Talent Talks 2022 - Pavo Marinović & Barbara Gregov

Talent Talks 2022 with Marvel Harris & Hélène Selam Kleih

EXTREMES – The Environmental Issue: New ways of visualising climate change in Foam Magazine

EXTREMES – The Environmental Issue:
New ways of visualising climate change in Foam Magazine