From 3 June until 18 September, Foam and Museum van Loon present the exhibition Second Skin in the historic rooms of Museum van Loon. In this exciting collaboration between the two institutions, five contemporary artists explore the human body through photography and film.
In 2005, 2009 and 2012, Museum Van Loon already graciously opened its historical rooms for Foam. The two museums are located opposite each other on the Keizersgracht. And now Foam and Museum van Loon are organising an exhibition together again, this time called Second Skin.
Tandem Lime, 2014 © Manon Wertenbroek
Museum van Loon has traditionally been home to a large amount of portraiture, one of the most classical forms of corporeal representation. In Second Skin five artists respond to this genre by taking the image of our physical ‘self’ and commenting on it, manipulating it, distorting and distancing it. Although the body is in the first place a given, the artists make clear the extent to which the presentation of it is a construct, often to a great degree controlled by us. In Museum van Loon contemporary photographic variations on the genre are displayed next to the historical portraits of the family.
Imago Dei 2, 2011 © Shai Langen
By means of powerful image manipulation, artist Asger Carlsen (b. 1973, Denmark) molds the bodies of his models into strange new forms of expression. In his series Illustrated People, Thomas Mailaender (b. 1979, France) makes the body function as the bearer of images by burning a selection of negatives from the Archive of Modern Conflict directly onto the skin of his models with an ultraviolet lamp and photographing them before the skin heals. Shai Langen (b. 1989, the Netherlands) creates actual second skins that distort the body, then records the results on film. Manon Wertenbroek (b. 1991, Switzerland) takes a fresh look at the portrait genre, investigating the representation of her brother, from whom she was estranged since childhood. At the same time he is swallowed up as a kind of prop in the scenes she creates. By contrast, Koen Hauser (b. 1972, the Netherlands) brings the body portrayed to life by blending it into one and the same portrait.
Hester (08), 2015 © Asger Carlsen
All five artists throw a new and unexpected light on self-representation, a theme that touches upon the topicality of selfies and our digital personalities on social media. The playful, ironic, visually captivating and multi-layered subject matter of Second Skin makes it a showcase for contemporary photography and the use of visual manipulation.
Foam is supported by the BankGiro Loterij, De Brauw Blackstone Westbroek, City of Amsterdam, Delta Lloyd, Olympus and the VandenEnde Foundation.