addresses existing stereotypes about refugees by stressing the importance of self-representation. The images in this exhibition strike a chord because they are taken by people who are stuck in Moria. A selection of the photographs show women living in the camp and are also taken by women from the camp. Many of these photos are taken with a cell phone. They portray the intimate everyday world of the residents. The people in them, including many children, remain anonymous to ensure their safety. Even though the photos are not always perfectly framed or aesthetically pleasing their strength lies in their authenticity. The viewer feels the gravity of the images.

Like no other, these photographers are capable of portraying the intimate everyday world of the residents because they themselves are part of it. Even though the photos are not always perfectly framed or aesthetically pleasing, their strength lies in their authenticity and purity. Often the horizon is skewed, or heads and feet fall outside the frame, but while watching you feel the necessity of what the images want to tell.