Parr is celebrated for his ability to make the familiar look strange and the boring interesting. Through his vibrant visual language, he transformed seemingly banal scenes into incisive reflections on modern society. Central to his life’s work were themes of consumption, cultural identity, tourism and class, which he explored over decades across both national and international contexts

Central to the exhibition is Parr’s iconic series Common Sense (1999), an installation of 270 colour-saturated close-up photographs that zoom in on global consumer culture – from fast food and tourist sites to personal decoration and social stereotypes.

The series Autoportrait (2002) brings together three decades of portraits of Martin Parr – taken by street photographers, studio photographers, and photo booths all over the world – through which he sought to highlight the many different shapes, forms and traditions of global portrait photography.

Visitors will also be able to discover The Non-Conformists (mid-1970s), his early documentation of rural English communities in black and white, and his breakthrough series The Last Resort (1983-85), which marks Parr’s turn to colour and focus on the British seaside. In addition to the photographic series, the exhibition will feature a reading room in which visitors can immerse themselves in Parr’s numerous photobook publications.