Broomberg
& Chanarin

20 March - 3 June 2015

To Photograph the
Details of a Dark Horse
in Low Light

I.D.002, 2013 © Adam Broomberg & Oliver Chanarin / Goodman Gallery, South Africa I.D.002, 2013 © Adam Broomberg & Oliver Chanarin / Goodman Gallery, South Africa
Kodak Ektachrome 34 1978 frame 4, 2012 © Adam Broomberg & Oliver Chanarin / Lisson Gallery, London Kodak Ektachrome 34 1978 frame 4, 2012 © Adam Broomberg & Oliver Chanarin / Lisson Gallery, London
Shirley 1, 2013 © Adam Broomberg & Oliver Chanarin / Lisson Gallery, London Shirley 1, 2013 © Adam Broomberg & Oliver Chanarin / Lisson Gallery, London
I.D.005, 2013 © Adam Broomberg & Oliver Chanarin / Goodman Gallery, South Africa I.D.005, 2013 © Adam Broomberg & Oliver Chanarin / Goodman Gallery, South Africa
Strip Test, 2012 © Adam Broomberg & Oliver Chanarin / Lisson Gallery, London Strip Test, 2012 © Adam Broomberg & Oliver Chanarin / Lisson Gallery, London
Nudniks, 2012 © Adam Broomberg & Oliver Chanarin / Everything Was Beautiful and Nothing Hurt,  FoMu, Antwerp, 2014, Installation View © Lukas Verdijk & Vesna Faassen Nudniks, 2012 © Adam Broomberg & Oliver Chanarin / Everything Was Beautiful and Nothing Hurt, FoMu, Antwerp, 2014, Installation View © Lukas Verdijk & Vesna Faassen

For their solo exhibition To Photograph the Details of a Dark Horse in Low Light, internationally acclaimed artists Adam Broomberg (South Africa, 1970) and Oliver Chanarin (Great Britain, 1971) lead viewers through a meandering and disturbing history lesson on the relationship between photography and race.