August 30, 2012
by Bohr, Marco
Chad States's recently published book Cruising is a collection
of photographs that depict gay men looking for a sexual encounter
with other men.
August 29, 2012
by Crawford, Jonathan
Unseen is a new international photography fair focused on
undiscovered photography talent and unseen work by established
photographers.
August 28, 2012
by Crawford, Jonathan
It's a peculiarly English thing, it seems, to hang plates up on
a wall.
August 27, 2012
by Bareman, Karin
Karin Bareman looks at how the latest developments in tablet
technology might fit into the history of photography.
August 23, 2012
by Engman, Chris
It is a compelling paradox, when effectively exploited, that
while photographs can seem to capture reality, they do not.
August 22, 2012
by Jang, Ina
Ina Jang introduces us to the photographic work of Stephen
Frailey.
August 21, 2012
by Bremer, Eva
Eva Bremer looks at the 3 Shots project launched at Lowlands by
Foam Lab.
August 20, 2012
by Crawford, Jonathan
Ongoing Table is one of the products designed for Foam by
research lab Fabrica for their series, Still Lights.
August 17, 2012
by McMurdo, Wendy
Wendy McMurdo took part in The World in London, a project
conceived by The Photographers' Gallery for the 2012 Olympics.
August 16, 2012
by Robert Philip
I can remember mine vividly: sitting in front of my tent on a
French camping site, starring into a big black void.
August 09, 2012
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August 08, 2012
by Hidde Bakker, Taco
Taco Hidde Bakker looks at the tradition of American landscape
photography through the skewed eyes of Onorato & Krebs.
August 07, 2012
by Foam Lab 2012
Foam Lab 2012 review Light of Other Days by Swiss
duo Taiyo Onorato and Nico Krebs.
August 06, 2012
by Keijser, Hester
Independent curator Hester Keijser takes a look at the career
and work of Swiss photographer duo Taiyo Onorato and Nico
Krebs.
August 03, 2012
by Crawford, Jonathan
Nail Meets Bookshelf is one of the products designed for Foam by
research lab Fabrica for their series, Still Lights.
August 01, 2012
by Schles, Ken
Ken Schles explains how not just images, but our very selves are
unavoidably the product of what surrounds and informs us.